First episode impressions: ‘Titans’ and ‘Doom Patrol’ (TV reviews)

Believe it or not, there was a time when there were zero superhero shows on TV. Now there are so many that they don’t all fit on TV. Even though most of The CW’s lineup is DC Comics adaptations, there isn’t room for all of them. “Titans,” which premiered last fall, and “Doom Patrol,” which launched last month, are both on the DC Universe streaming channel. The pilot episodes are available for free through March 29.

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Marvel Cinematic Universe flashback: All 13 episodes of ‘Daredevil’ Season 3 (2018), ranked (TV review)

There’s something to be said about keeping good villains around, and “Daredevil” Season 3 (October 2018, Netflix) is a case in point. Although Wilson Fisk (Vincent D’Onofrio) was the Big Bad of Season 1, he again fits that bill here, in 13 episodes that explore how one ingenious sociopath can take control of the very systems – the FBI, the justice department – that should theoretically protect society from him.

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‘The ABC Murders’ reinvents Hercule Poirot with mixed results (TV review)

“The ABC Murders,” a three-part miniseries that aired last year on BBC and is now on Amazon Prime, is a case study in the creativity and/or annoyances that come from reinventing source material in an adaptation. I’m not much of an Agatha Christie historian, but writer Sarah Phelps’ previous adaptation of the mystery author’s work, 2015’s “And Then There Were None,” rates an 8.0 on IMDB compared to a 6.6 for this one. My mom is a big fan of David Suchet’s work in “Agatha Christie’s Poirot” (1989-2013, ITV), and she found the reinventions here to be strange, making John Malkovich’s turn essentially PINO – Poirot in Name Only.

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Marvel Cinematic Universe flashback: All 10 episodes of ‘Iron Fist’ Season 2 (2018), ranked (TV review)

The Marvel Cinematic Universe is known for valuing fan feedback, and “Iron Fist” Season 2 (September 2018, Netflix) might be the prime example. After a first season that was rushed through production, moved at a snail’s pace, and had fight scenes that were cobbled together in the editing room, Season 2 is a notable improvement. It’s still slow-paced, but the fights are much better, the locations are magnificent, the score boasts a tasty Far East flavor, and several actors give standout performances. Plus, it’s a tidy 10 episodes, rather than the Netflix norm of 13.

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First episode impressions: ‘I Am the Night’ (TV review)

TNT found a nice way to ride the success of a series without forcing it beyond the natural end of its storyline. “The Alienist” – my No. 4 show of 2018 — became a critical and popular success a year ago, but it told a complete serial-murder mystery. That series is over, but TNT is continuing its Suspense Collection with “I Am the Night” (9 p.m. Eastern Mondays).

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First episode impressions: ‘The Passage’ (TV review)

The latest event series that will likely end up going nowhere – either by treading familiar ground or by being canceled – “The Passage” (9 p.m. Eastern Mondays on Fox) is at least driven by a nice relationship at its core. Mark-Paul Gosselaar plays special operative Brad Wolgast and Saniyya Sydney plays recently orphaned 10-year-old Amy. Initially, Wolgast is part of the duo that kidnaps the kid for a secret government project, then he thinks better of it and goes on the run with her.

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First episode impressions: ‘Roswell, New Mexico’ (TV review)

“Roswell, New Mexico” (9 p.m. Eastern Tuesdays on The CW) is the latest in this decade’s mostly unfortunate trend of rebooting things we love that were already perfect. While I resist with almost every fiber of my being the idea of anyone other than Jason Behr and Shiri Appleby being called Max and Liz, I approached the pilot episode with an open mind and I admit it held my attention. What’s hard to parse out is: How much of my enjoyment comes from noting similarities and differences to “Roswell” Classic (1999-2002, WB/UPN) and how much comes from “RNM” being good in its own right?

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Marvel Cinematic Universe flashback: All 13 episodes of ‘Luke Cage’ Season 2 (2018), ranked (TV review)

Burning slowly like a 1970s urban street thriller, “Luke Cage” feels more comfortable in its suits and shades and bullet-riddled sweatshirts than it did in its first season. Bushmaster (Mustafa Shakir) and his Jamaican cohorts – all of the actors doing a wonderful job with the dialect – are entertaining antagonists, but we slowly realize the uber-villain of Season 2 (2018, Netflix) is slick Harlem councilwoman Mariah Stokes Dillard (Alfre Woodard). Cheo Hodari Coker’s series – after many examples illustrating what powerful people can get away with – morphs into a smart meditation on the cost of holding on to power, and how a few bad decisions can see that power spiral away.

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First episode impressions: ‘Gotham’ Season 5 (TV review)

“Gotham” (8 p.m. Eastern Thursdays on Fox) starts its fifth and final season in bats**t-crazy fashion (pun intended). In a way, that’s par for the course with this show, but it intends to go out in an especially big way. It’s doing the same risky thing “iZombie” did last year: expanding the scope beyond the city to a national scale (even though the events are contained in the city).

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