Iwatched the trailers of some notable fall TV premieres so you don’t have to (but they are embedded here if you want to). Here are my thoughts on each, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the series. All times Eastern:
The Netflix NYC neighborhood of the Marvel Cinematic Universe ended too soon with “Jessica Jones” Season 3 (June), but I have to admit these series were starting to tread familiar ground. When watching these 13 episodes, I sensed that I was still watching prestige TV, yet I also understood where things were going long before they reached the finish line, thus enhancing the stereotype that Netflix MCU shows are slow-moving.
The Terror” was one of the most gripping series of 2018, a rare horror TV show that maintains a creepy aura even with the escape provided by commercial breaks. It’s slow-paced, and it doesn’t stick the landing, so it barely missed my end-of-year list. But I’m happy to return for “The Terror: Infamy” (Mondays on AMC).
The 2010s have been the decade of nostalgia, so much so that a genuine feeling of nostalgia doesn’t come up much anymore. The existence of – and the experience of watching – “BH90210” (Wednesdays on Fox) is a case in point. Seeing all seven major living actors from “Beverly Hills, 90210” (1990-2000, Fox) on screen together, as well as Tori Spelling and Jennie Garth watching the original show late in the pilot episode, does indeed kind of make me want to rewatch the original.
It says something about the sheer number of TV shows that are made nowadays that a show set in the “Batman” universe can sneak onto the air. But that’s the case with “Pennyworth” (Sundays on Epix), in which “Gotham” creators Bruno Heller and Danny Cannon give us the backstory of Batman’s butler, Alfred Pennyworth.
Scream: The TV Series” Season 3, long delayed because of the Weinstein scandal that put the ownership in limbo, isn’t exactly worth the wait, but still, it deserves more attention than it’s getting. It has been dumped onto MTV’s sister station, the celebrity reality show bastion VH1, for a three-night, six-hour airing (continuing at 9 p.m. Eastern Tuesday and Wednesday), at a time when everyone is bingeing and discussing “Stranger Things” Season 3.
Ihadn’t seen the 2014 movie “What We Do in the Shadows,” so I wasn’t sure what to expect going into FX’s spinoff series of the same name, but man, this show is hilarious. Basically, it’s like watching “The Office,” but with vampires.
With the failed experiment of the “choose your own adventure” movie “Bandersnatch” in the rear view, I was happy to hear “Black Mirror” Season 5 (Netflix) was finally on the horizon. I was very disappointed, however, to learn it’s only three episodes. With only a little over three hours of new material, my expectations were high for some quality episodes. Unfortunately, that’s not what we get. This is by far the weakest season yet.
If the first episode is any indication, “Big Little Lies’ ” second season (9 p.m. Eastern Sundays on HBO) lacks the zest of the first but has so much momentum in the wake of the death of Perry (Alexander Skarsgard) that there won’t be a shortage of reasons to tune in. David E. Kelley returns to teleplay duties, working from a story co-written with “BLL” novelist Liane Moriarty, but Jean-Marc Vallee has handed the directing reins to Andrea Arnold. The show’s mesmerizing quality ebbs during the memory-refreshing, regrouping episode “What Have They Done?,” even though the transporting theme song by Michael Kiwanuka is back, subtly remixed.
As “Harper’s Island,” “Dead of Summer,” “Scream” and other slasher TV series have found, this medium can’t escape the law of diminishing returns the way a brisk movie can. As the story goes forward, the cast of characters gets dwindled until the mystery has evaporated: The killer is whoever is left. Also, we might get to really liking a character only to see them killed off, thus lessening our interest from that point forward.