Throwback Thursday: ‘The Karate Kid Part II’ (1986) is a solid but safe sequel that journeys to Miyagi’s home island (Movie review)

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he Karate Kid Part II” (1986) is definitely a less sloppy film than the original, without its forbearer’s editing errors, but it’s also a slightly less interesting one. The sequel is often entertaining, but it’s disappointing to see that “The Karate Kid” is apparently going to be a follow-the-formula film series where Daniel (Ralph Macchio) encounters a group of bullies and ultimately defeats them with a special trick move. On the other hand, I can’t quibble about Mr. Miyagi (Pat Morita) being the focal point of “Part II,” as he is the saga’s best character.

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Throwback Thursday: ‘The Karate Kid’ (1984) is a sloppy, incomplete film, but also a timeless classic for young viewers (Movie review)

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he same thing that excites a viewer about “The Karate Kid” (1984) – the fact that it’s directed by John G. Avildsen and filled with songs by Bill Conti – also brings it crashing down, because “The Karate Kid” is no “Rocky.” It’s no fault of those “Rocky” collaborators — Avildsen gives the film a nice look and gets strong performances out of young Ralph Macchio and veteran Pat Morita, and Conti is on his game, especially with Survivor’s “Moment of Truth” – but many parts of the movie are not fully fleshed out.

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‘Fighting with My Family’ is a fairly lightweight biopic, but Florence Pugh is a champion in the main role (Movie review)

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ighting with My Family” doesn’t redefine the sports biopic genre, which in a way is too bad because professional wrestling is such an unusual thing, sitting on the border between athletics and entertainment. It might be fascinating to dig further into the mechanisms of how participants – and ultimately, champions — are chosen and how their narratives are written. As it stands, “Fighting” is a standard biopic in structure, but the story of Paige is so genuinely inspiring, and actress Florence Pugh (“The Little Drummer Girl”) is such a natural star, that the film is totally engaging.

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Mamet Monday: Stellar cast elevates urban fantasy of ‘Redbelt’ (2008), where ‘there’s always a way out’ (Movie review)

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or a long stretch, “Redbelt” (2008) employs Chiwetel Ejiofor and a stellar cast doing strong work in service to a story that doesn’t seem to be going anywhere. But writer-director David Mamet is planting seeds for a stronger back half where most of it comes together in an unusual mix of Mametian con-job plot and martial-arts fight film. The finished product is still a bizarre blend that makes me question if it’s worth the 1 hour and 40 minutes, but Ejiofor – as big-city jujitsu instructor Mike Terry – ultimately shapes “Redbelt” into a fable about finding a way out of the direst circumstances through sheer training and skill.

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Throwback Thursday: The still-awesome ‘Varsity Blues’ (1999) brilliantly parodied ‘Friday Night Lights’ five years before that film existed (Movie review)

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 recall that the theater was packed with an enthusiastic crowd for “Varsity Blues” in January 1999. Not that it was a huge movie – all movies other than the summer blockbusters kind of snuck into theaters back then – but it was definitely a cool movie for young people. It features “Dawson’s Creek’s” James Van Der Beek, other soon-to-be-stars like Paul Walker (R.I.P.), and a soundtrack lineup that’s the 1999 equivalent of the 1929 Yankees (tracks 2-6: Green Day, Foo Fighters, Collective Soul, Fastball, Third Eye Blind).

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John’s top 10 movies of 2018

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he dominant genre of 2018 continued to be superheroes; even with the “X-Men” Universe and DC Extended Universe releasing only one film each, the three Marvel Cinematic Universe movies were impossible to overlook. Still, this was a less blockbustery year than 2017, and by year’s end I had seen at least one really good film in every genre. From a throwback thriller to an arthouse gem, here are my 10 favorite films of 2018.

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All 8 ‘Rocky’/ ‘Creed’ films, ranked (Movie commentary)

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aving seen the latest “Rocky”/ “Creed” film, “Creed II,” it’s time to rank all eight films of the saga from worst to first. There are no outright bad films in this series, and a case could be made for any order between No. 2 and No. 7. Just thinking back on the 42 years of “Rocky” films is enough to make me want to blast “Gonna Fly Now” and take a run up the museum steps. Here we go. Ding. Ding.

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‘Creed II,’ a sequel to both ‘Creed’ and ‘Rocky IV,’ wins by decision (Movie review)

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e’re not supposed to heap praise on sequels, since they are standing on the shoulders of their predecessors, but something should be said about how skillfully “Creed II” continues the story from “Creed” (2015) and “Rocky IV” (1985). Suffice it to say, director Steve Caple Jr.’s film will please fans of this franchise that has become a safe haven for grown men to cry in the theater over themes of fathers and sons (real or makeshift) and overcoming the odds.

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‘Creed II’ is a crowd-pleaser, even if it doesn’t pack the same punch as the original (Movie review)

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yan Coogler’s “Creed” (2015) was a surprisingly well-executed and welcome addition to the “Rocky” franchise.  Working as a reboot of sorts, it brings “Rocky” to a new generation. With “Creed II,” Steve Caple Jr. directs a fairly by-the-numbers sequel that works, but doesn’t have near the impact that “Creed” does.

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First episode impressions: ‘All American’ (TV review)

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n “All American” (9 p.m. Eastern Wednesdays on The CW), Spencer James (Daniel Ezra) gets a chance to move from gang territory to a safe neighborhood to play football, coached by a former NFL player, Billy Baker (Taye Diggs). After taking three buses to Beverly Hills, he hits it off with the coach’s daughter, the star receiver’s girlfriend, and even the coach’s son after some initial tension. Cue the theme music.

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