Mamet Monday: ‘The Verdict’ (1982) is a masterful courtroom drama and redemption story (Movie review)

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he Verdict” (1982) is most known for the engrossing turn by Paul Newman as a down-and-out lawyer who gets obsessed with one case, but it’s also the pinnacle of the courtroom drama form under the eye of legendary director Sidney Lumet (“12 Angry Men”) and an early example of David Mamet’s chug-along writing. While the film – rightly nominated for a Best Picture Oscar – is more than 2 hours long (a rare exception to Mamet’s 100-minute standard), it’s not boring for a second, and it’s worth that extra time as Lumet lets us soak up the details of Boston and the trappings of Frank Galvin’s dreary office and the grand courtroom.

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