In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.
I don’t classify myself as a gamer, but video games are definitely still a part of my life. Having played through multiple “choose your own adventure”-style games, I was excited to give “Bandersnatch” (2018) a try. I have enjoyed nearly every episode of “Black Mirror,” so I was excited to dive in to this movie spinoff of the Netflix series.
Our year-end countdown lists wrap up with Shaune’s picks for the 10 best movies of 2018:
The dominant genre of 2018 continued to be superheroes; even with the “X-Men” Universe and DC Extended Universe releasing only one film each, the three Marvel Cinematic Universe movies were impossible to overlook. Still, this was a less blockbustery year than 2017, and by year’s end I had seen at least one really good film in every genre. From a throwback thriller to an arthouse gem, here are my 10 favorite films of 2018.
“Iron Man 3” is one of my favorite Marvel Cinematic Universe movies, but I’ve heard it criticized for being a Shane Black movie in a genre where that doesn’t fit, and I have a feeling that critique might come up again with “The Predator.” Recently released on home video, this is another fun film from the director, but I admit the tone is off.
A lot of movies could benefit from a viewer going in with no knowledge of what they’re about to see, but in the age of previews giving away everything, it’s hard to find an experience like that. Streaming services might be bringing it back though: A synopsis and a still image look intriguing, the service recommends it to you based on your viewing habits, it gets good ratings from others … so maybe you’ll give it a shot. Netflix’s “Cam” benefits from the Mystery Mine Ride approach.
Looking for a “Valerian” fix after last year’s movie, “Valerian and the City of a Thousand Planets,” I’m delving into the comics that started it all, by Frenchmen Pierre Christin (writer) and Jean-Claude Mezieres (pencils and inks). Here’s a look at the final volume, an epilogue of sorts that isn’t included in the collected volumes from Cinebook.
Looking for a “Valerian” fix after last year’s movie, “Valerian and the City of a Thousand Planets,” I’m delving into the comics that started it all, by Frenchmen Pierre Christin (writer) and Jean-Claude Mezieres (pencils and inks). “The Complete Collection, Volume 7” includes the conclusive trilogy: “At the Edge of the Great Void” (2004), “The Order of the Stones” (2007) and “The Time Opener” (2010). It looks like this will be the final collection from Cinebook, but I’ll be back to review to the uncollected coda volume, “Memories from the Futures.”
In the tradition of legendary matchups such as “The Cape” vs. “No Ordinary Family,” “Almost Human” vs. “Agents of S.H.I.E.L.D.” and “Riverdale” vs. “Supergirl,” I ask the question on the mind of every fan of middle-of-the-road superhero television: Which is the less bad show – The CW’s “Black Lightning” or Fox’s “The Gifted?” Rather than go by gut feeling, let’s break down these sophomore sci-fi series by category.
From the beginning, “Mars” (9 p.m. Eastern Mondays on National Geographic) has aimed to show what humanity’s colonization of the Red Planet will really be like. Season 1, which aired back in 2016, chronicles the travel and settlement in the 2030s. Now Season 2 brings us into the 2040s, after the initial challenges have been conquered.