“Iron Man 3” is one of my favorite Marvel Cinematic Universe movies, but I’ve heard it criticized for being a Shane Black movie in a genre where that doesn’t fit, and I have a feeling that critique might come up again with “The Predator.” Recently released on home video, this is another fun film from the director, but I admit the tone is off.
A lot of movies could benefit from a viewer going in with no knowledge of what they’re about to see, but in the age of previews giving away everything, it’s hard to find an experience like that. Streaming services might be bringing it back though: A synopsis and a still image look intriguing, the service recommends it to you based on your viewing habits, it gets good ratings from others … so maybe you’ll give it a shot. Netflix’s “Cam” benefits from the Mystery Mine Ride approach.
Looking for a “Valerian” fix after last year’s movie, “Valerian and the City of a Thousand Planets,” I’m delving into the comics that started it all, by Frenchmen Pierre Christin (writer) and Jean-Claude Mezieres (pencils and inks). Here’s a look at the final volume, an epilogue of sorts that isn’t included in the collected volumes from Cinebook.
Looking for a “Valerian” fix after last year’s movie, “Valerian and the City of a Thousand Planets,” I’m delving into the comics that started it all, by Frenchmen Pierre Christin (writer) and Jean-Claude Mezieres (pencils and inks). “The Complete Collection, Volume 7” includes the conclusive trilogy: “At the Edge of the Great Void” (2004), “The Order of the Stones” (2007) and “The Time Opener” (2010). It looks like this will be the final collection from Cinebook, but I’ll be back to review to the uncollected coda volume, “Memories from the Futures.”
In the tradition of legendary matchups such as “The Cape” vs. “No Ordinary Family,” “Almost Human” vs. “Agents of S.H.I.E.L.D.” and “Riverdale” vs. “Supergirl,” I ask the question on the mind of every fan of middle-of-the-road superhero television: Which is the less bad show – The CW’s “Black Lightning” or Fox’s “The Gifted?” Rather than go by gut feeling, let’s break down these sophomore sci-fi series by category.
From the beginning, “Mars” (9 p.m. Eastern Mondays on National Geographic) has aimed to show what humanity’s colonization of the Red Planet will really be like. Season 1, which aired back in 2016, chronicles the travel and settlement in the 2030s. Now Season 2 brings us into the 2040s, after the initial challenges have been conquered.
Looking for a “Valerian” fix after last year’s movie, “Valerian and the City of a Thousand Planets,” I’m delving into the comics that started it all, by Frenchmen Pierre Christin (writer) and Jean-Claude Mezieres (pencils and inks). “The Complete Collection, Volume 6” includes “Hostages of Ultralum” (1996), “Orphan of the Stars” (1998) and “In Uncertain Times” (2001).
In its final 10 episodes, “Valerian and Laureline: Time Jam” wraps up by riffing heavily on the “Star Wars” prequels, but it stands as its own thing thanks to its trademark bevy of wild ideas – many involving time travel, as the series fully embraces its title. And as had been telegraphed in the sitcom-esque bickering flirtation (or flirtatious bickering?) heading into the closing credits of many episodes, the saga’s final statement is about Valerian’s and Laureline’s relationship … although it’s not exactly what I hoped for.
It’s been a strange year for the “X-Men” Universe. “Legion” Season 2 and the excellent “Deadpool 2” came out, but those are peripheral stories. Two films – “Dark Phoenix” and “The New Mutants” – were pushed back to 2019, so no stories on the main timeline had been told since “The Gifted’s” (8 p.m. Eastern Tuesdays on Fox) first season ended in January. For me, this week’s Season 2 premiere, “eMergence,” is an exercise in “Wait, what happened again at the end of last season?” and “Oh yeah, I remember that guy.”
“Manifest” (10 p.m. Eastern Mondays on NBC) isn’t quite the “What does it all mean?” “Lost”-style mystery I thought it would be. Then again, it’s not exactly original, either. It’s just that the TV shows it reminds me of are different ones than I had assumed.