First episode impressions: ‘Roswell, New Mexico’ (TV review)

“Roswell, New Mexico” (9 p.m. Eastern Tuesdays on The CW) is the latest in this decade’s mostly unfortunate trend of rebooting things we love that were already perfect. While I resist with almost every fiber of my being the idea of anyone other than Jason Behr and Shiri Appleby being called Max and Liz, I approached the pilot episode with an open mind and I admit it held my attention. What’s hard to parse out is: How much of my enjoyment comes from noting similarities and differences to “Roswell” Classic (1999-2002, WB/UPN) and how much comes from “RNM” being good in its own right?

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Throwback Thursday: Hornby’s ‘Funny Girl’ (2014) zeroes in on 1960s British TV, but has appeal beyond that (Book review)

In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.

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Throwback Thursday: ‘Her’ (2013) is a stellar example of the 2010s zeitgeist of emerging AI technology (Movie review)

In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.

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John’s top 10 movies of 2018

The dominant genre of 2018 continued to be superheroes; even with the “X-Men” Universe and DC Extended Universe releasing only one film each, the three Marvel Cinematic Universe movies were impossible to overlook. Still, this was a less blockbustery year than 2017, and by year’s end I had seen at least one really good film in every genre. From a throwback thriller to an arthouse gem, here are my 10 favorite films of 2018.

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‘Juliet, Naked’ a pitch-perfect adaptation of Hornby’s novel about love, regret and music nerdery (Movie review)

Just as I was thinking that 2018 has been a down year for comedies, along comes “Juliet, Naked,” which got a limited release in theaters and is now on home video. It’s the sixth Nick Hornby book to be adapted for the screen, and my personal favorite. (And no, I’m not forgetting “High Fidelity” and “About a Boy.”) Featuring the pitch-perfect cast of Rose Byrne, Ethan Hawke and Chris O’Dowd, it left me misty-eyed with laughter and sadness – sometimes within the same scene – and features a funny yet sober examination of extreme music nerdery.

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‘Christmas Prince’ and its sequel are the weirdest-ever episodes of ‘iZombie’ (Movie reviews)

“iZombie’s” Rose McIver is doing pretty well, at least commercially, on her offseason hiatuses, starring in 2017’s “A Christmas Prince” and this year’s “A Christmas Prince: The Royal Wedding.” In these Netflix hits, she plays Amber Moore (a long-lost twin sister of Liv?), an American journalist who falls for the prince of Aldovia while on assignment covering the royal succession.

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Moretz shines in ‘Cameron Post,’ a portrait of a recent time that seems long ago (Movie review)

Politics follows predictable historical cycles, but even political science experts must be amazed by how quickly mainstream public opinion has switched from “Gay people have a problem that needs to be fixed” to “Someone’s sexual orientation is no big deal.” At the start of Obama’s presidential term, his safe political play was to oppose equal treatment of gays under the law; eight years later, the opposite had become the case.

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‘The Princess Switch’ doesn’t take advantage of Hudgens, Christmas setting (Movie review)

Christmas movies have become a booming subgenre on Lifetime, the Disney Channel and now Netflix, so much so that even someone who wraps themselves in tinsel and holly starting at Thanksgiving couldn’t hope to watch them all. Despite the high volume of product, very few of these films enter the canon alongside classics like “Christmas Vacation,” “A Christmas Story” and “It’s a Wonderful Life.”

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Can we talk for a moment about how the heroes on ‘Chilling Adventures of Sabrina’ are Satan worshipers? (TV review)

Netflix’s “Chilling Adventures of Sabrina” is easiest to describe to a newcomer if they are familiar with “Riverdale.” It’s like “Riverdale” but with witchcraft and likeable characters. Those two elements are what make “Sabrina” the more interesting show, but it shares “Riverdale’s” foundation of moody cinematography and an ephemeral sense of time and place. As a horror-tinged show (though not a scary one), those elements work perfectly on “Sabrina.”

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‘Big Mouth’ is the next iteration of Things You Can Do on Television – and it’s also darn funny (TV review)

Netflix’s “Big Mouth” – which recently released its second season — marks the latest sea change in Things You Can Do on Television, as it chronicles 12- and 13-year-olds entering puberty. But unlike “The Simpsons” in the 1990s and “Family Guy” in the 2000s, there has been little hand-wringing from parents’ TV groups about “Big Mouth,” which opens with episodes where Andrew (John Mulaney) ejaculates in his drawers at a school dance and Jessi (Jessi Klein) has her first period on a field trip while wearing white shorts. Fortunately for its creators, “Big Mouth” also exists in the most prolific age of TV history: There’s so much out there that watchdog groups can’t keep up.

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