Throwback Thursday: The still-awesome ‘Varsity Blues’ (1999) brilliantly parodied ‘Friday Night Lights’ five years before that film existed (Movie review)

In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.

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Despite being from her point of view, ‘Summer ’03’ keeps teen’s world at a timid distance (Movie review)

“Summer ’03” (2018) had the misfortune of coming out the same year as “Eighth Grade,” which showed new blood can be wrung from the stone of coming-of-age dramedies. Stacked against other entries in the genre – but especially that one – “Summer ’03” is tame, without a sharp or original perspective. The trappings of a decent film are here, including lead actress Joey King – very much in her “She’ll be a star someday” mode – and nice Georgia cinematography (although the film takes place in Cincinnati for some reason) by Ben Hardwicke.

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Cooper, Gaga beautifully update ‘A Star is Born’ for a new generation (Movie review)

I’m usually not a fan of remakes, but I make exceptions if the remake brings a fresh perspective to the material. I can also be won over if the remake is really f****** good. Such is the case with “A Star is Born” (2018), which was also made in 1937, 1954 and 1976, and which makes a solid case for its existence in dialog from Sam Elliott’s Bobby: “It’s the same story told over and over, forever. All any artist can offer the world is how they see those 12 notes. That’s it.”

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Throwback Thursday: More than a ‘Garden State’ ripoff, Crowe’s ‘Elizabethtown’ (2005) has aged well (Movie review)

In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.

Continue reading “Throwback Thursday: More than a ‘Garden State’ ripoff, Crowe’s ‘Elizabethtown’ (2005) has aged well (Movie review)”

First episode impressions: ‘Roswell, New Mexico’ (TV review)

“Roswell, New Mexico” (9 p.m. Eastern Tuesdays on The CW) is the latest in this decade’s mostly unfortunate trend of rebooting things we love that were already perfect. While I resist with almost every fiber of my being the idea of anyone other than Jason Behr and Shiri Appleby being called Max and Liz, I approached the pilot episode with an open mind and I admit it held my attention. What’s hard to parse out is: How much of my enjoyment comes from noting similarities and differences to “Roswell” Classic (1999-2002, WB/UPN) and how much comes from “RNM” being good in its own right?

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Throwback Thursday: Hornby’s ‘Funny Girl’ (2014) zeroes in on 1960s British TV, but has appeal beyond that (Book review)

In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.

Continue reading “Throwback Thursday: Hornby’s ‘Funny Girl’ (2014) zeroes in on 1960s British TV, but has appeal beyond that (Book review)”

Throwback Thursday: ‘Her’ (2013) is a stellar example of the 2010s zeitgeist of emerging AI technology (Movie review)

In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.

Continue reading “Throwback Thursday: ‘Her’ (2013) is a stellar example of the 2010s zeitgeist of emerging AI technology (Movie review)”

John’s top 10 movies of 2018

The dominant genre of 2018 continued to be superheroes; even with the “X-Men” Universe and DC Extended Universe releasing only one film each, the three Marvel Cinematic Universe movies were impossible to overlook. Still, this was a less blockbustery year than 2017, and by year’s end I had seen at least one really good film in every genre. From a throwback thriller to an arthouse gem, here are my 10 favorite films of 2018.

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‘Juliet, Naked’ a pitch-perfect adaptation of Hornby’s novel about love, regret and music nerdery (Movie review)

Just as I was thinking that 2018 has been a down year for comedies, along comes “Juliet, Naked,” which got a limited release in theaters and is now on home video. It’s the sixth Nick Hornby book to be adapted for the screen, and my personal favorite. (And no, I’m not forgetting “High Fidelity” and “About a Boy.”) Featuring the pitch-perfect cast of Rose Byrne, Ethan Hawke and Chris O’Dowd, it left me misty-eyed with laughter and sadness – sometimes within the same scene – and features a funny yet sober examination of extreme music nerdery.

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‘Christmas Prince’ and its sequel are the weirdest-ever episodes of ‘iZombie’ (Movie reviews)

“iZombie’s” Rose McIver is doing pretty well, at least commercially, on her offseason hiatuses, starring in 2017’s “A Christmas Prince” and this year’s “A Christmas Prince: The Royal Wedding.” In these Netflix hits, she plays Amber Moore (a long-lost twin sister of Liv?), an American journalist who falls for the prince of Aldovia while on assignment covering the royal succession.

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