All the Bright Places” (February, Netflix) walks a fine line. For some young viewers, it’ll be the best movie they’ve ever seen; for cynical older viewers, it’ll be a cliché-ridden bore fest. For me, it’s pretty much the best Gen-Z teen romance I’ve seen (Elle Fanning and Justice Smith are late-era millennials, but they play younger than their ages). There’s always the fear that modern teens will be off-puttingly self-centered and all-knowing, but I liked Fanning’s Violet and Smith’s Finch, and they are quite cute when going through the cliches.
After the first two parts showed a lot of potential and sometimes were quite fun, “Chilling Adventures of Sabrina” Part 3 (January, Netflix) is more of a slog to get through, even though it’s eight episodes instead of the usual 10. Or maybe it’s because of the lower episode count but slightly longer episodes. The writers lean into the “Gilmore Girls” approach of telling as much story as they feel like in one sitting, but “Sabrina” should ideally use the “Buffy” approach with an act-based structure.
Marriage Story” (2019, Netflix) is both a stark portrayal of why people should never get married (it costs way too much to get divorced) and a surprisingly good love story considering that we meet these people amid their divorce proceedings. In stage play-like fashion, writer-director Noah Baumbach portrays the daily lives of Charlie (Adam Driver) and Nicole (Scarlett Johansson). While there is one extreme shouting match, the couple is mostly calm and mature; it’s actually the legal process of divorce that gets a viewer’s blood boiling.
The Irishman” (2019, Netflix) pairs nicely as the back half of a double feature with 1992’s “Hoffa.” That film, which was likewise Oscar-nominated, focuses on Jimmy Hoffa’s creation and popularization of a workers’ union, whereas director Martin Scorsese’s “The Irishman” digs into the darker corners of the mobsters who circled around Hoffa. Both films are from the point of view of one of Hoffa’s trusted seconds: Danny DeVito’s Bobby Ciaro in “Hoffa” and Robert De Niro’s Frank Sheeran, the titular Irishman.
Here are 10 movies and 10 TV shows I’m looking forward to in the new year:
These were my 10 favorite TV series of 2019, a year that saw the continued dominance of streaming services and the rise to prominence of standalone miniseries, but also a few stalwart network favorites:
In chronological order, these were our 20 favorite TV shows of the 2010s:
The Knight Before Christmas” (November, Netflix), like most of TV’s recent holiday movie catalog, is so uninspired that I wonder if the sets, locations, casting and costumes come first. Then an exec assigns a writer — Cara J. Russell in this case – to churn out a screenplay with the boardroom-approved punny title and then they go from there.
Let It Snow” (November, Netflix) comes from a 2008 novel co-written by coming-of-age chronicler John Green. It’s adapted by Kay Cannon (“Pitch Perfect”) and two other writers for this who’s-who of Gen Z actors. Although I only recognized Kiernan Shipka (“Chilling Adventures of Sabrina”) and Jacob Batalon (the best bud in the MCU’s “Spider-Mans”), the talent level is surprisingly high. Down the road, “Let It Snow” could play as a classic of young actors breaking out, except that the overall movie is too safe and predictable.
Although “Big Mouth” Season 3 (October, Netflix) ultimately delivers enough good episodes that I give it a soft recommend, it is a clear step back from its first two seasons. In the worst episodes, the writers get so caught up in their timely messages about sexual identity, dress codes and objectification of women that they forget to make those episodes funny.