On the “Buffy” fan Facebook page I frequent, “Chilling Adventures of Sabrina” (Netflix) is often mentioned when someone asks “What’s a new show that’s sort of like ‘Buffy?’ ” It’s hard to resist the comparisons. After all, the nine episodes of Season 1, Part 2 end with (spoilers follow) …
The Punisher” Season 2 (January, Netflix) might be the most violent season of TV I’ve ever seen. I wouldn’t be surprised if the budget listed fake blood and wound makeup as the biggest expense. Some episodes are bleak enough to affect my overall mood for the next day. Still, while the usual Netflix Marvel Cinematic Universe problem of slow pacing is present in the middle episodes, this is overall solid serial storytelling.
Bodyguard” (2018, BBC and Netflix), the six-episode British suspense series, starts with police sergeant David Budd (Richard Madden) trying to talk down a terrorist bomber on a train and mostly maintains that level of intensity throughout its run, but in a different way than its obvious point of comparison, “24.” The teeth-chattering suspense sequences are strong, but what makes “Bodyguard” stand out is its intricate plotting. Budd might not be in peril 24/7 like Jack Bauer, but there’s always something sinister going on that at least tangentially relates to him.
There’s something to be said about keeping good villains around, and “Daredevil” Season 3 (October 2018, Netflix) is a case in point. Although Wilson Fisk (Vincent D’Onofrio) was the Big Bad of Season 1, he again fits that bill here, in 13 episodes that explore how one ingenious sociopath can take control of the very systems – the FBI, the justice department – that should theoretically protect society from him.
With the Oscars coming up, the guilt of constantly scrolling past “Roma” (2018) on Netflix en route to “Daredevil” episodes finally got to me, and I gave the Best Picture nominee a watch. And also, my Cold Bananas colleague Shaune watched the first 20 minutes, laughed, and said I can claim this one in our attempt to check Oscar films off our list.
Similar to the two “Strangers” films, “He’s Out There” (2018, now on Netflix) strips the horror genre down to basics and tells a scary story of people in random peril at a remote cabin. It plays the requisite horror notes well, includes one moment that literally made me flinch, and offers a touch of mystery to keep a viewer wondering about the villain’s motivations. And while I wasn’t bored by the film, I knew I had Yvonne Strahovski to look at if the plot ceased to hold my interest.
Don’t put on “The Devil’s Candy” (2015, Netflix) if you want something light. But if you’re in the mood for a stylish, heavy-metalized thriller, this is your film. I checked it out because it’s a Shiri Appleby movie I hadn’t seen, and it also features her fellow 1990s teen star Ethan Embry. They play Astrid and Jesse Hellman, who — along with daughter Zooey (Kiara Glasco) – comprise a family that moves into a big but affordable country home outside of town.
The Marvel Cinematic Universe is known for valuing fan feedback, and “Iron Fist” Season 2 (September 2018, Netflix) might be the prime example. After a first season that was rushed through production, moved at a snail’s pace, and had fight scenes that were cobbled together in the editing room, Season 2 is a notable improvement. It’s still slow-paced, but the fights are much better, the locations are magnificent, the score boasts a tasty Far East flavor, and several actors give standout performances. Plus, it’s a tidy 10 episodes, rather than the Netflix norm of 13.
Burning slowly like a 1970s urban street thriller, “Luke Cage” feels more comfortable in its suits and shades and bullet-riddled sweatshirts than it did in its first season. Bushmaster (Mustafa Shakir) and his Jamaican cohorts – all of the actors doing a wonderful job with the dialect – are entertaining antagonists, but we slowly realize the uber-villain of Season 2 (2018, Netflix) is slick Harlem councilwoman Mariah Stokes Dillard (Alfre Woodard). Cheo Hodari Coker’s series – after many examples illustrating what powerful people can get away with – morphs into a smart meditation on the cost of holding on to power, and how a few bad decisions can see that power spiral away.
Idon’t classify myself as a gamer, but video games are definitely still a part of my life. Having played through multiple “choose your own adventure”-style games, I was excited to give “Bandersnatch” (2018) a try. I have enjoyed nearly every episode of “Black Mirror,” so I was excited to dive in to this movie spinoff of the Netflix series.