After the “First Night” interlude (Issues 6-8), IDW’s “Angel” returns to the main storyline of “After the Fall” having lost its momentum. Although still plotted by Joss Whedon and scripted by Brian Lynch, the arc feels like it is treading water, with a lot of talking. It also doesn’t help that Franco Urru is mostly absent from Issues 9-14, as he was working on “Spike: After the Fall.” Before his return for the grand finale, there’s a shortage of dynamism in the panels.
Seeing the success of “Buffy” Season 8 and learning that Brian Lynch’s pitch for an “Angel” “Season 6” lined up closely with his plans before the TV show was canceled, Joss Whedon launched “Angel: After the Fall” in 2007. Although it makes some of IDW’s previous work hard to fit into the continuity, it goes without saying that it’s great to get Whedon’s canonical story of what happens to Angel and company after the cliffhanger of “Not Fade Away” (5.22).
My reviews looking back at “Buffy” Season 8 continue as we enter the final stretch of the 40-issue season. We finally learn the identity of Twilight, which only raises more questions. So many questions.
In addition to the 40 main issues and three one-shots, “Buffy” Season 8 also features five “MySpace/Dark Horse Presents” e-comics from the waning days of that social media platform. None of these short stories are essential, but a few of them reinforce this new era where vampires are celebrities instead of monsters.
In addition to the 40 regular issues of “Buffy” Season 8, three one-shots flesh out specific aspects of the saga: what it’s like to be a street-level vampire in this new era, how Willow gets her superpowers between Seasons 7 and 8, and how and why Riley joins Twilight’s organization in order to spy on him. SPOILER WARNING: I will discuss Twilight’s real identity in the “Riley” section.
My reviews looking back at “Buffy” Season 8 continue as we enter the second half of the 40-issue season with several standalones (to borrow TV show parlance), which nonetheless move the narrative forward, and one epic five-parter. SPOILER WARNING: If you are reading these issues for the first time, I will analyze the character of Twilight based on my knowledge of Twilight’s true identity, which isn’t revealed until later in the season.
My reviews looking back at “Buffy” Season 8 continue. SPOILER WARNING: If you are reading these issues for the first time, I will analyze the character of Twilight based on my knowledge of Twilight’s true identity, which isn’t revealed until later in the season.
A few years after “Buffy” went off the air, fans got the exciting news that the story would continue in comics, with Joss Whedon overseeing the project. Dark Horse even labels Whedon the “executive producer,” to provide a sense that this is another season of “Buffy,” in a different medium. Most comics prior to this became non-canon (with some exceptions, such as “Fray”), but while all Dark Horse comics from this point forward are canon (the situation with IDW’s “Angel” and “Spike” is more confusing), are they any good? Let’s begin our revisiting of the post-TV era of “Buffy,” which would eventually expand all the way to Season 12:
Fox 21 announced Friday that a new “Buffy” TV series is in the works, with most media using the term “reboot.” This usually means “remake” or “re-imagining,” and that’s how most fans took it. Ninety percent of comment threads and tweets were therefore negative about the announcement. Some fans took “reboot” to mean “spinoff” or “sequel,” and those people were much more positive about the news.
Often when a comic book series ends, that final issue will sit in its slot on the racks for a long time afterward, since there is no next issue to replace it. My enduring memory of “Tales of the Vampires” (December 2003-April 2004) is seeing Issue 5 on the rack for a year or so. It was the last issue of Dark Horse’s original “Buffy” run, leaving a three-year gap before Season 8 began in 2007. (It wasn’t a total dark age: There were “Buffy” novels throughout this time, and IDW’s “Angel” comics started in 2005.)