It takes time, but the ‘High Fidelity’ remix eventually justifies its existence (TV review)

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n the early going, “High Fidelity” (February, Hulu) so precisely re-creates several iconic scenes from the 2000 movie that it’s like watching a painful amateur stage production of a classic play. We might as well be rewatching the film or reading Nick Hornby’s 1995 book. But as the 10-episode Season 1 moves forward, it starts to repurpose the familiar scenes in new ways, and it ultimately justifies its existence.

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Superhero Saturday: ‘Runaways’ Season 1 (2017-18) is kind of silly, but kind of good thanks to loaded cast (TV review)

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ith an unusually long gap between new Marvel Cinematic Universe releases, I decided to finally check out “Marvel’s Runaways” Season 1 (2017-18, Hulu). Now through three seasons, it’s part of the young-adult wing of the MCU, and I appreciate that it’s more colorful, sunnier (it’s set in Los Angeles, the opposite side of the continent from most MCU goings-on) and more fathomable than the other YA series, Freeform’s recently canceled “Cloak & Dagger.” It also has an amazing cast, but Season 1 has one big problem at its core.

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Eulogy for a trope: ‘Looking for Alaska’ turns its Manic Pixie Dream Girl into a full-fledged character (TV review)

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he eight-episode Hulu series “Looking for Alaska” shatters the Manic Pixie Dream Girl trope while also being one of the best MPDG stories ever told. Walking a delicate tightrope from start to finish, showrunner Josh Schwartz (“The O.C.,” “Gossip Girl”) – who writes or co-writes five of the eight episodes – gives us the teen male perspective of Miles “Pudge” Halter (Charlie Plummer). Through his eyes, Alaska Young (Kristine Froseth) is beautiful, quirky and mysterious. Yet — without sacrificing those ethereal qualities that Pudge might be projecting onto his first love/lust — “Looking for Alaska” also makes Alaska into a fully realized person.

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‘Veronica Mars’ becomes a great character piece, ramps up the threat level in Season 4 (TV review)

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eronica Mars” Season 4 (July, Hulu) had me so deeply invested in the people more so than the mystery – and it’s still a top-shelf mystery – that I wondered “Has it always been this way?” It’s been a few years since my last rewatch of the UPN/CW seasons, and while the father-daughter relationship between Keith (Enrico Colantoni) and Veronica (Kristen Bell) has always been central to the series, I had a sense that other players were chess pieces more so than characters, and that the mystery always reigns supreme.

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Fall TV 2019: After watching the trailers, I’m bananas for some of these shows, not so much for others (Commentary)

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 watched the trailers of some notable fall TV premieres so you don’t have to (but they are embedded here if you want to). Here are my thoughts on each, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the series. All times Eastern:

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‘The Mindy Project’ has a place among the great workplace sitcoms (TV review)

Sitcoms aren’t usually the best genre to binge-watch, as they tend to not have the dramatic stakes or surprises that make you want to jump right into the next episode. Often, sitcoms work well as something to have on in the background. But “The Mindy Project” — of which I binged Seasons 4 and the first part of Season 5 before my free month of Hulu ran out – is an exception.

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