It’s been three years since the previous season of “Curb Your Enthusiasm” (HBO), so Larry David and his writers had plenty of absurdities from the real world to turn into absurdities on the show. Suffice it to say Larry gets into a lot of trouble in Season 10, which recently wrapped a 10-episode run that’s a nice mix of political correctness inanities and everyday annoyances that only “Curb” would latch onto.
Ilove the fact that there are still some weekly shows on TV (as opposed to all-in-one seasonal drops), but “Westworld” (Sundays, HBO) is not the ideal show for this format. Then again, even when binged, it’s hard to keep all the characters and their goals straight. Still, after a Season 2 that I found tough to get through, I decided to give Season 3 a chance. And the season premiere, “Parce Domine,” is one of the best episodes of the series to date.
Creator Damon Lindelof has taken the lessons learned on “Lost” – where time-jumping was a sometimes fun, sometimes hoary narrative device – and beautifully applied them to the nine-episode “Watchmen” (2019, HBO), a sequel to the comic/movie of the same name. Time is central to the “Watchmen” saga, the primary image of which is a clock counting down to the 1980s nuclear doomsday, especially with Dr. Manhattan existing outside of time as we mere mortals perceive it.
The Outsider” (Sundays, HBO) is written, directed and paced with such slow-burn confidence that a viewer can almost fool themselves into thinking this isn’t just another Stephen King novel adaptation. Now don’t get me wrong, I enjoy a lot of King’s catalog; I count some of his books and their movie versions as masterpieces. But it’s hard to disguise the Kingian cliches on display in this adaptation of his 2018 novel.
Here are 10 movies and 10 TV shows I’m looking forward to in the new year:
In chronological order, these were our 20 favorite TV shows of the 2010s:
Iwatched the trailers of some notable fall TV premieres so you don’t have to (but they are embedded here if you want to). Here are my thoughts on each, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the series. All times Eastern:
Even in a decade that has seen many elite examples of the short-form detective series – from “Fargo” to “Sharp Objects,” from “The Killing” to “I Am the Night” – “True Detective” Season 1 (2014, HBO) takes the cake. And eats it, too. After all, as Detective Marty Hart (Woody Harrelson) would say, “What else are you gonna do with cake except eat it?”
The Amazon Prime description for “Lansky” (1999) includes “notorious,” “gambling,” “bootlegging,” “racketeering” and “murder,” but the film – written by David Mamet and directed by John McNaughton for HBO – paints a warm picture of mob boss Meyer Lansky (1902-83). Along with a treasure of a performance by Richard Dreyfuss, “Lansky” is driven by the intrinsic fascination of someone who is a normal family man and skilled businessman, but who is targeted by the U.S. federal government and hated by a percentage of the populace.
If the first episode is any indication, “Big Little Lies’ ” second season (9 p.m. Eastern Sundays on HBO) lacks the zest of the first but has so much momentum in the wake of the death of Perry (Alexander Skarsgard) that there won’t be a shortage of reasons to tune in. David E. Kelley returns to teleplay duties, working from a story co-written with “BLL” novelist Liane Moriarty, but Jean-Marc Vallee has handed the directing reins to Andrea Arnold. The show’s mesmerizing quality ebbs during the memory-refreshing, regrouping episode “What Have They Done?,” even though the transporting theme song by Michael Kiwanuka is back, subtly remixed.