Just as “The X-Files” returned for shorter TV seasons in recent years, the “Buffy” comics take a crack at the miniseries format in Season 11, which is only 12 issues long, compared to at least 25 in the previous three seasons. On one hand, important side stories are missing within the overall arc of the US government’s smackdown of the supernatural population. On the other hand, Buffy shines this season – partly affirming superhero traits that have always been there, but also achieving milestones that would’ve been unthinkable in past seasons.
In this next batch of 10 issues, Season 9 becomes slightly less Buffy-centric, somewhat to its detriment, but Andrew Chambliss continues to be a sharp writer and I trust he knows where the wider narrative is going. The only major misstep in this batch, surprisingly, is when “Buffy” veterans Jane Espenson and Drew Z. Greenberg step in for two issues to tell the origin story of side character Billy.
After Season 8, Dark Horse’s canonical “Buffy” comics do what the TV series did more than a decade prior: split into two series. While “Angel & Faith” go off to do their own thing, “Buffy” Season 9 sets up shop in San Francisco and welcomes excellent new lead scribe Andrew Chambliss, who had written for “Dollhouse.” Here are my reviews of Issues 1-10 of the 25-issue Season 9.
My reviews looking back at “Buffy” Season 8 continue as we enter the final stretch of the 40-issue season. We finally learn the identity of Twilight, which only raises more questions. So many questions.
My reviews looking back at “Buffy” Season 8 continue as we enter the second half of the 40-issue season with several standalones (to borrow TV show parlance), which nonetheless move the narrative forward, and one epic five-parter. SPOILER WARNING: If you are reading these issues for the first time, I will analyze the character of Twilight based on my knowledge of Twilight’s true identity, which isn’t revealed until later in the season.
My reviews looking back at “Buffy” Season 8 continue. SPOILER WARNING: If you are reading these issues for the first time, I will analyze the character of Twilight based on my knowledge of Twilight’s true identity, which isn’t revealed until later in the season.
Afew years after “Buffy” went off the air, fans got the exciting news that the story would continue in comics, with Joss Whedon overseeing the project. Dark Horse even labels Whedon the “executive producer,” to provide a sense that this is another season of “Buffy,” in a different medium. Most comics prior to this became non-canon (with some exceptions, such as “Fray”), but while all Dark Horse comics from this point forward are canon (the situation with IDW’s “Angel” and “Spike” is more confusing), are they any good? Let’s begin our revisiting of the post-TV era of “Buffy,” which would eventually expand all the way to Season 12:
This question has been creeping into the back of my mind throughout the “Buffy” franchise’s three seasons of official continuations from Dark Horse Comics, but it’s especially evident now, early in Season 10 of “Buffy” and “Angel & Faith”: Are these titles running out of good ideas?
For the first time in a decade, two “Buffy” series are simultaneously building toward a seasonal conclusion. Back in 2003, TV’s “Buffy” and “Angel” were in the midst of Seasons 7 and 4, respectively. Now, Dark Horse Comics’ “Angel & Faith” and “Buffy” are working toward their Season 9 conclusions — the final installments of those 25-issue series are slated for August and September, respectively.
There are no spinoff TV series, movies or books, but almost nine years after “Angel” aired its final episode, the Buffyverse is thriving in comics. In fact, there are currently four titles going under the Season 9 banner: The regular titles “Buffy” and “Angel & Faith,” plus the miniseries “Spike: A Dark Place” and “Willow: Wonderland.”