The latest event series that will likely end up going nowhere – either by treading familiar ground or by being canceled – “The Passage” (9 p.m. Eastern Mondays on Fox) is at least driven by a nice relationship at its core. Mark-Paul Gosselaar plays special operative Brad Wolgast and Saniyya Sydney plays recently orphaned 10-year-old Amy. Initially, Wolgast is part of the duo that kidnaps the kid for a secret government project, then he thinks better of it and goes on the run with her.
“Gotham” (8 p.m. Eastern Thursdays on Fox) starts its fifth and final season in bats**t-crazy fashion (pun intended). In a way, that’s par for the course with this show, but it intends to go out in an especially big way. It’s doing the same risky thing “iZombie” did last year: expanding the scope beyond the city to a national scale (even though the events are contained in the city).
These are the movies and TV shows I’m looking forward to in the new year:
It’s never before been so hard to pick the 10 best shows of the year, as streaming services deliver strong short series on a regular basis, and cable and network TV have mostly kept pace with the quality. Some staple entries have dropped out of my top 10 not because they got worse but simply because they were supplanted. Here are 10 shows worthy of special mention even in this age of Peak TV.
In the tradition of legendary matchups such as “The Cape” vs. “No Ordinary Family,” “Almost Human” vs. “Agents of S.H.I.E.L.D.” and “Riverdale” vs. “Supergirl,” I ask the question on the mind of every fan of middle-of-the-road superhero television: Which is the less bad show – The CW’s “Black Lightning” or Fox’s “The Gifted?” Rather than go by gut feeling, let’s break down these sophomore sci-fi series by category.
It’s not as bad as the case of the old “Doctor Who” episodes that were intentionally destroyed after their broadcast, but in this age where it’s easy for a streaming service to make something available to its subscribers, there are still a lot of TV shows you simply can’t see.
It’s been a strange year for the “X-Men” Universe. “Legion” Season 2 and the excellent “Deadpool 2” came out, but those are peripheral stories. Two films – “Dark Phoenix” and “The New Mutants” – were pushed back to 2019, so no stories on the main timeline had been told since “The Gifted’s” (8 p.m. Eastern Tuesdays on Fox) first season ended in January. For me, this week’s Season 2 premiere, “eMergence,” is an exercise in “Wait, what happened again at the end of last season?” and “Oh yeah, I remember that guy.”
Because of a bizarre reticence to turn big-ticket properties into TV series, the 2000 “X-Men” film inspired things like “Mutant X,” “Heroes,” “No Ordinary Family” and “The Cape” but not an actual “X-Men” series — until this year. First up was FX’s “Legion,” a show so confusing I don’t know when or on what timeline it takes place. But “The Gifted” (9 p.m. Eastern Mondays on Fox) is more accessible.
There are broad “Star Wars” parodies, and then there are insider-y “Star Wars” parodies, and then there’s a near-perfect mix of the two: The “Family Guy” episode “Blue Harvest,” which aired 10 years ago today. According to the DVD’s bonus features, the project came about when Lucasfilm approved all of “Family Guy’s” “Star Wars” parodies and Seth MacFarlane and company figured why not ask if they could do a whole episode?
“FreakyLinks” (2000-01, Fox) was neither great nor terrible, but it has an important place in television history, which is why it’s a shame it hasn’t been preserved on DVD. (It has been rerun on Chiller, but not regularly enough to break out of the “lost to history” label.) The first faux-found-footage series in TV history, it exists entirely because of the success of the surprise 1999 movie hit “The Blair Witch Project.”