In this next batch of 10 issues, Season 9 becomes slightly less Buffy-centric, somewhat to its detriment, but Andrew Chambliss continues to be a sharp writer and I trust he knows where the wider narrative is going. The only major misstep in this batch, surprisingly, is when “Buffy” veterans Jane Espenson and Drew Z. Greenberg step in for two issues to tell the origin story of side character Billy.
After Season 8, Dark Horse’s canonical “Buffy” comics do what the TV series did more than a decade prior: split into two series. While “Angel & Faith” go off to do their own thing, “Buffy” Season 9 sets up shop in San Francisco and welcomes excellent new lead scribe Andrew Chambliss, who had written for “Dollhouse.” Here are my reviews of Issues 1-10 of the 25-issue Season 9.
The “Tales of the Slayers” comics – a trade paperback in November 2001 and the “Broken Bottle of Djinn” one-shot in October 2002 – are primarily written by “Buffy” and “Angel” TV writers, which creates a high expectation level. These nine stories are fun, easy reads, but not as deep or substantial as one might hope for.
Since the beginning of “Buffy,” I’ve found myself liking the characters more and more and the world they live in — the “mythology,” in geek-speak — less and less. (I’m talking in generalities; obviously, Angel’s backstory in Season 2 was a great addition to the mythology, for example.) It puts me in a weird position going into Season 9 of “Buffy” (and the corresponding “Angel & Faith”) from Dark Horse Comics, because with the whole world knowing about vampires and demons and Slayers, it doesn’t feel like those wonderful early days. But on the other hand, I love me some “Buffy” characters like never before.