Adding both cachet and pressure, “Clarice” (Thursdays, CBS) has the weight of “The Silence of the Lambs” (1991) behind it as it chronicles Special Agent Starling’s 10-year period between the movie versions of “Lambs” and “Hannibal” (2001). If you watch the first episode, “The Silence is Over,” with a checklist in hand, it checks all the boxes, proving that creators Alex Kurtzman (recent “Star Trek” projects) and Jenny Lumet know those films and author Thomas Harris’ source material.
2021 will be a hugely transitional year for television and cinema as they react to our new post-pandemic habits. It could also be hugely entertaining year for audiences, as we get all those delayed 2020 releases plus some new ones. Here are my picks for three TV shows and three movies to see this year, plus a rundown of other big series and films:
Like everything else, TV took a hit in this year of the pandemic, but networks felt the impact more so than streaming and premium. The latter categories put out several good short-form series or seasons, accelerating what had been a gradual shift to that format and making a tough year bearable. These were my 10 favorite TV series of 2020:
These were my 10 favorite TV series of 2019, a year that saw the continued dominance of streaming services and the rise to prominence of standalone miniseries, but also a few stalwart network favorites:
In this age of easily accessible TV, there’s no such thing as timeslot battles anymore, but for the sake of fun, let’s pit “The Unicorn” (CBS) against “Perfect Harmony” (NBC). The half-hour sitcoms air at the same time on Thursdays.
Evil” (Thursdays, CBS) can be added to the grand collection of post-“X-Files” shows, so I have a soft spot for it. But this is an era when “The X-Files” itself gives us new episodes every few years, so I don’t need to be so lenient as when I reviewed “X-Files” Lite shows from the dark years of 2003-15. Katja Herbers, as Kristen, and Mike Colter (“Luke Cage”), as David, are excellent as the skeptic and believer, and there are nice touches such as Kristen’s home under the train tracks that she shares with her four young daughters. But the possession-of-the-week story is weak, and if this is the one creators Robert and Michelle King (“The Good Wife”) chose for the pilot, it doesn’t bode well for the series.
Iwatched the trailers of some notable fall TV premieres so you don’t have to (but they are embedded here if you want to). Here are my thoughts on each, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the series. All times Eastern:
It’s not as bad as the case of the old “Doctor Who” episodes that were intentionally destroyed after their broadcast, but in this age where it’s easy for a streaming service to make something available to its subscribers, there are still a lot of TV shows you simply can’t see.
Ayear ago, I didn’t give a glowing review to ABC’s “Kevin (Probably) Saves the World,” but I did like it enough to keep watching. Even though I almost canceled it from my DVR a few times, I watched the whole season (which turned out to be the whole series). It wasn’t good, per se, but there was a warmth to the interactions between Kevin, Amy, Reese, Tyler, Kristin and Nate in that small Texas town that I now find myself missing.
CBS adds to its stable of modernized nostalgia-driven shows (see also “Hawaii Five-0” and “MacGyver”) with “Magnum P.I.” (9 p.m. Eastern Mondays), which drops the comma and trades Tom Selleck’s ‘stache for Jay Hernandez’s goatee, but retains most other elements of the 1980s action/detective classic. I’m guessing old-school fans aren’t as enthusiastic about the update as Magnum is about crashing Porsches in pursuit of bad guys, because it rates a mere 4.6 on IMDB.