Dark comedy ‘Parasite’ makes a powerful point about class differences (Movie review)

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oreign filmmakers, particularly in Asia, have been making long, engrossing, surprising statements about human issues of the day for a long time, and “Parasite” (2019) may not be the elite example of the form, but it’s a worthy Best Picture winner. If this first-ever foreign film to win Best Picture gets people to check out more subtitled gems, it’s worth it. Director/co-writer Bong Joon Ho, along with co-writer Jin Won Han, crafts a darkly funny commentary about South Korean class relations that the American film “Us” wishes it could’ve approached.

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