When Spike and Willow duck out of the main “Buffy” Season 9 series, their solo adventures are told in a pair of five-issue miniseries, with Spike brooding over his purpose in life without Buffy, and Willow seeking a way to regain some of her magic powers.
In this next batch of 10 issues, Season 9 becomes slightly less Buffy-centric, somewhat to its detriment, but Andrew Chambliss continues to be a sharp writer and I trust he knows where the wider narrative is going. The only major misstep in this batch, surprisingly, is when “Buffy” veterans Jane Espenson and Drew Z. Greenberg step in for two issues to tell the origin story of side character Billy.
After Season 8, Dark Horse’s canonical “Buffy” comics do what the TV series did more than a decade prior: split into two series. While “Angel & Faith” go off to do their own thing, “Buffy” Season 9 sets up shop in San Francisco and welcomes excellent new lead scribe Andrew Chambliss, who had written for “Dollhouse.” Here are my reviews of Issues 1-10 of the 25-issue Season 9.
My reviews looking back at “Buffy” Season 8 continue as we enter the final stretch of the 40-issue season. We finally learn the identity of Twilight, which only raises more questions. So many questions.
In addition to the 40 main issues and three one-shots, “Buffy” Season 8 also features five “MySpace/Dark Horse Presents” e-comics from the waning days of that social media platform. None of these short stories are essential, but a few of them reinforce this new era where vampires are celebrities instead of monsters.
In addition to the 40 regular issues of “Buffy” Season 8, three one-shots flesh out specific aspects of the saga: what it’s like to be a street-level vampire in this new era, how Willow gets her superpowers between Seasons 7 and 8, and how and why Riley joins Twilight’s organization in order to spy on him. SPOILER WARNING: I will discuss Twilight’s real identity in the “Riley” section.
My reviews looking back at “Buffy” Season 8 continue as we enter the second half of the 40-issue season with several standalones (to borrow TV show parlance), which nonetheless move the narrative forward, and one epic five-parter. SPOILER WARNING: If you are reading these issues for the first time, I will analyze the character of Twilight based on my knowledge of Twilight’s true identity, which isn’t revealed until later in the season.
My reviews looking back at “Buffy” Season 8 continue. SPOILER WARNING: If you are reading these issues for the first time, I will analyze the character of Twilight based on my knowledge of Twilight’s true identity, which isn’t revealed until later in the season.
A few years after “Buffy” went off the air, fans got the exciting news that the story would continue in comics, with Joss Whedon overseeing the project. Dark Horse even labels Whedon the “executive producer,” to provide a sense that this is another season of “Buffy,” in a different medium. Most comics prior to this became non-canon (with some exceptions, such as “Fray”), but while all Dark Horse comics from this point forward are canon (the situation with IDW’s “Angel” and “Spike” is more confusing), are they any good? Let’s begin our revisiting of the post-TV era of “Buffy,” which would eventually expand all the way to Season 12:
The “Tales of the Slayers” comics – a trade paperback in November 2001 and the “Broken Bottle of Djinn” one-shot in October 2002 – are primarily written by “Buffy” and “Angel” TV writers, which creates a high expectation level. These nine stories are fun, easy reads, but not as deep or substantial as one might hope for.