Superhero Saturday: ‘The Amazing Spider-Man’ (2012) experiments with a darker tone and affirms that the 2002 film had it right all along (Movie review)

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ike what the Dark Knight Trilogy is to the 1990s “Batman” movies, and what the 21st century “Superman” films are to the Christopher Reeve versions, “The Amazing Spider-Man” (2012) gives us a darker alternative to Sam Raimi’s “Spider-Man” trilogy. This approach only makes creative sense for Batman, since he has long been a Dark Knight in the comics, fighting villains from nightmares. And indeed, when watching “The Amazing Spider-Man,” I couldn’t help but think how much more tonally appropriate the 2002 “Spider-Man” is. But while “Amazing” isn’t a good Spider-Man movie, it’s not a bad movie in a vacuum.

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Superhero Saturday: ‘Spider-Man 3’ (2007) packs too much into trilogy capper, but it’s clear Raimi and his team still care (Movie review)

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pider-Man 3” (2007) packs too many villains and character threads into the last chapter of the saga starring Tobey Maguire. Many of these elements are engaging on their own, but we don’t get to absorb everything like we do in parts one and two. There are also more shortcuts via conveniences or barely explained happenings, and many of the conflicts are built on that lazy screenwriting tactic of someone not communicating a fact to the person who needs to know it. That said, I don’t think “Spider-Man 3” is one for the garbage heap; director Sam Raimi and his team ultimately find their way back to the relationship between Peter and Mary Jane (Kirsten Dunst) at the trilogy’s heart.

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Superhero Saturday: Raimi’s darker yet delightful ‘Spider-Man 2’ (2004) is everything a superhero sequel should be (Movie review)

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rom the opening credits that recap the first film’s narrative with pencil drawings to the closing moments of Mary Jane (Kirsten Dunst) deciding to give it a go with Peter (Tobey Maguire) even though he’s Spider-Man, “Spider-Man 2” (2004) is a totally engrossing and satisfying sequel. Director Sam Raimi puts a viewer in the shoes of Peter the whole way as he hits his lowest lows – losing his powers while also feeling all alone in the world – then rises up again.

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