Reeve, Hannah make ‘Rear Window’ (1998) better than it should be
On a Hitchcock kick (Movie review): Proving that a quadriplegic can get a decent role, this remake of a perfect film has its own reason for existing.
On a Hitchcock kick (Movie review): Proving that a quadriplegic can get a decent role, this remake of a perfect film has its own reason for existing.
2023 television: A couple of old-school network shows break into the streaming-dominated list of my favorite series of the year.
One-season wonders (TV review): It only took 19 episodes for Winnie Holzman’s show to earn well-deserved status as an all-time great teen drama.
TV commentary: It’s the most unresolved love triangle in TV history, but that’s why it stands as one of the best. We break down Angela’s options.
Woody Wednesday (Movie reviews): Neither version is outstanding, but if you watch one, definitely track down the 1994 movie that comes directly from Allen.
First episode impressions (TV review): “Spotlight” was a thank-you letter to probing journalism; now “Alaska Daily” shows why it’s still important.
Michael Crichton Monday (Movie review): The author starts his pursuit of a directorial career, but it’s not exactly hot pursuit in this bland thriller.
One-season wonders (TV review): A stellar cast and a consistent mood of foreboding helps Shaun Cassidy’s series glow in a transitional time for TV.
Kevin Smith Week (TV review): This loony ’toon isn’t a bridging story between “Clerks” and “Clerks II.” But it appeals to some of Smith’s fan base.
The pilot episode of “Emergence” (Tuesdays, ABC) is a crisply crafted hour of TV that would set the stage for an excellent series in an alternate universe where there weren’t already dozens of recent series […]