Phil Spector” (2013), the last film from writer-director David Mamet before what has become the longest filmmaking hiatus of his career, manages to be a compelling murder-trial biopic without digging as far into the case as one would assume. Mamet focuses on building a character portrait of legendary music producer Phil Spector (Al Pacino), someone who is brilliant, strange, mostly off-putting, occasionally terrifying, occasionally kind, and possibly murderous.
Crazy Ex-Girlfriend” recently wrapped an amazing four-season run with Rebecca Bunch (co-creator Rachel Bloom) deciding to pursue love – as in her love of writing songs, but now she’ll do it on paper instead of in her head. As fans know, not all of the 150 to 300 songs (depending on how you count them) from “CXG’s” run were in Rebecca’s head, meaning that Josh, Greg, Nathaniel, Paula, Heather, Darryl, etc. also did their share of internal songwriting.
There was never an “Angel” young-adult book line, but Craig Shaw Gardner’s “Dark Mirror” (April 2004) gives a sense of what those books would be like. This is a simplified view of the Angelverse without much interest in continuity or accurate characterizations, and with a cartoonishly big evil that’s hard to take seriously.
At the end of Issue 15, Fred asks Angel: “Can we call ourselves Angel Investigations?” But, nostalgia aside, writer Victor Gischler’s “Angel & Faith” Season 10 isn’t about the re-forming of the detective agency, but rather about a disparate group of people coming together to defend their home neighborhood of Magic Town in London. For being loners at heart, the title characters sure do attract allies, and the rich cast of characters is starting to make this title a page-turner; the drama is often low-key, but intensely based on the journeys of these individuals. This batch begins with the best “Angel & Faith” arc so far:
Bad Boys” (1995) is one of those movies that all my friends watched 100 times (or at least parts of it 100 times) back when watching movies via flipping through TV channels was a thing. For whatever reason, I wasn’t in that group – I’ve never been a channel surfer, and I don’t have a hunger for cop-and-crime films – but I can see the movie’s appeal. As Miami Police Department partners, Martin Lawrence (who is actually top-billed) and Will Smith smoothly transition from sitcoms to the big screen and are totally into the spirit of a screenplay laden with off-the-cuff, curse-filled quips.
There’s something to be said about B-list superheroes. The average moviegoer (who doesn’t have a doctorate in comic-book lore) has lower expectations, and we also don’t have as many preconceived notions about what the movie should be. “Shazam!,” featuring a game turn by Zachary Levi and a cadre of good child actors, slots nicely into this space, calling to mind “Big” (and at one point directly referencing the Tom Hanks classic) but also making me hope the kid-on-the-inside Shazam can exchange dialog with the dour Batman at some point.
Angel & Faith” Season 10 should really be called “Angel. And Faith,” at least for the first 10 issues. The co-leads have completely different story arcs, although both benefit from the moodier, noir-style look from artist Will Conrad and colorist Michelle Madsen.
William H. Macy gives the most daring and possibly best performance of his career in “Edmond” (2005), David Mamet’s adaptation of his own play, directed by Stuart Gordon. Set in New York City, the film hooked me immediately by starting off like a darker “Office Space,” as Macy’s dead-eyed title character stumbles out of an indeterminate white-collar job he hates, has a fortune teller inform him he’s living the wrong life, and goes home and breaks up with his wife (Rebecca Pidgeon), noting that he hasn’t been happy in the marriage in years.
Scott and Denise Ciencin deliver another messy yet surprisingly enjoyable page-turner with “Angel: Nemesis” (February 2004), their final work in the Buffyverse. Similar to the couple’s other co-written novel, “Buffy: Mortal Fear” (2003), the ideas here are wildly imaginative and the characterizations don’t feel entirely correct, but there’s never any sense that they are phoning it in. Clearly, they love telling stories and their enthusiasm is contagious.
I’m glad “Cloak & Dagger” Season 2 (8 p.m. Eastern Thursdays on Freeform) started with a “previously on,” because the plot specifics of this show don’t stick in my head – even though I enjoy the experience of watching it. Last season, as I was reminded, found Tyrone/Cloak (Aubrey Joseph) and Tandy/Dagger (Olivia Holt) exposing the evil corporatists at Roxxon. So it’s good that Season 2 has a new plot, and that the duo is comfortable using their primary powers now. (Their secondary powers promise more weirdness, though.)