There are more good shows on TV than ever, but the traditional fall season has become the dumping ground for the least exciting new series – perhaps because they need the extra buzz of Fall TV Previews more than something with the cachet of an “Atlanta” or a “Fargo.” Still, some quality series rise to the surface: Recent years have given us “Crazy Ex-Girlfriend” and “This Is Us,” along with glitzy franchise entries like “The Gifted” and assorted MCU efforts (“Iron Fist” and “Daredevil” boast new seasons this fall).
The “Time Jam: Valerian & Laureline” writers finally give us the cute romantic sequence they had been so obviously holding back from us in the 30th episode, “Get With the Times,” and darn if it isn’t almost tear-jerking. Laureline must stay on a planet and press a button after Valerian takes off in their ship; they can’t both depart.
Whether it’s because I’m more used to the show’s rhythms or because the scripts are getting better, I enjoyed episodes 11-20 more than the first 10 episodes of “Time Jam: Valerian & Laureline.” These aren’t the comics’ Valerian and Laureline, who love each other and don’t make a big deal about it. These versions of V&L are melodramatic; every time a second male is in the story, we get a love triangle because of Valerian’s itchy-trigger-finger jealousy.
The “Valerian and Laureline” franchise follows a similar pattern to the “Teenage Mutant Ninja Turtles” empire. Both started with a comic aimed at adults (or at least young adults), were franchised into a cartoon aimed at kids, and then a movie aimed somewhere in between. In each case, those in charge rejiggered the characters, vehicles, settings, plot and purpose.
The MCU’s first crossover TV series, “The Defenders” Season 1 (2017, Netflix), has all the fun of a superhero team-up, along with all the clunkiness. Despite being written by four veterans of “Daredevil” – Douglas Petrie, Marco Ramirez, Lauren Schmidt Hissrich and Drew Goddard — it is a notable step down from that bar-setting series.
After watching “Iron Fist” Season 1 (2017, Netflix), I feel like I’ve completed the same hero’s journey as Danny Rand/Iron Fist (Finn Jones). I’m exhausted not from doing 13 episodes of kung-fu fighting and harnessing my chi into a fist of iron, but simply from watching what is easily the slowest-paced of the Netflix MCU shows to this point.
Fox 21 announced Friday that a new “Buffy” TV series is in the works, with most media using the term “reboot.” This usually means “remake” or “re-imagining,” and that’s how most fans took it. Ninety percent of comment threads and tweets were therefore negative about the announcement. Some fans took “reboot” to mean “spinoff” or “sequel,” and those people were much more positive about the news.
Frustrated with “Scream” Season 3 being delayed indefinitely, I was excited to stumble across “Slasher” Season 2 (2017) on Netflix. Chiller’s Season 1 was strong, but Season 2 of Aaron Martin’s Canadian horror mystery series is better. It is gorier, with remarkably creative kill scenes, but it’s also a more compelling mystery that allows us to feel for – or be creeped out by — a lot of the characters.
For the third time, the Marvel Cinematic Universe gives a starring role to a superpowered New York City vigilante with “Luke Cage” Season 1 (2016, Netflix). Showrunner Cheo Hodari Coker, whose credits include “Almost Human” and the upcoming “Creed II,” brings a slightly different sensibility to the genre by name-dropping bits of Harlem history, music and art and showcasing live music at the club that serves as the main setting.
“Sharp Objects” (9 p.m. Eastern Sundays on HBO) takes a familiar genre – a crime journalist investigating small-town murders – and turns it into a gilded-frame French painting. The miniseries is stacked with talent at the top of their respective games, but director Jean-Marc Vallee – who helmed last year’s “Big Little Lies” – is the one I’m most drawn to talk about. In a mere hour, he immerses us in the Southern charms and chills of Wind Gap, in the bootheel of Missouri, and the beauty and tragedy of our heroine, Camille.