Iwatched the trailers of some notable fall TV premieres so you don’t have to (but they are embedded here if you want to). Here are my thoughts on each, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the series. All times Eastern:
Even in a decade that has seen many elite examples of the short-form detective series – from “Fargo” to “Sharp Objects,” from “The Killing” to “I Am the Night” – “True Detective” Season 1 (2014, HBO) takes the cake. And eats it, too. After all, as Detective Marty Hart (Woody Harrelson) would say, “What else are you gonna do with cake except eat it?”
The Netflix NYC neighborhood of the Marvel Cinematic Universe ended too soon with “Jessica Jones” Season 3 (June), but I have to admit these series were starting to tread familiar ground. When watching these 13 episodes, I sensed that I was still watching prestige TV, yet I also understood where things were going long before they reached the finish line, thus enhancing the stereotype that Netflix MCU shows are slow-moving.
The Terror” was one of the most gripping series of 2018, a rare horror TV show that maintains a creepy aura even with the escape provided by commercial breaks. It’s slow-paced, and it doesn’t stick the landing, so it barely missed my end-of-year list. But I’m happy to return for “The Terror: Infamy” (Mondays on AMC).
The 2010s have been the decade of nostalgia, so much so that a genuine feeling of nostalgia doesn’t come up much anymore. The existence of – and the experience of watching – “BH90210” (Wednesdays on Fox) is a case in point. Seeing all seven major living actors from “Beverly Hills, 90210” (1990-2000, Fox) on screen together, as well as Tori Spelling and Jennie Garth watching the original show late in the pilot episode, does indeed kind of make me want to rewatch the original.
Like he would later do for Hollywood with “State and Main” (2000), writer David Mamet lovingly pokes fun at the art of the stage in “A Life in the Theatre,” a 1993 TNT movie based on his 1977 play. Jack Lemmon is magnetic as Robert, an aging community theater thespian, and Matthew Broderick is mostly a sounding board as the up-and-coming John, who is starting to get calls to work in film.
Mistakenly, I had it my head that Max and Liz – aside from a few brief stretches where they are apart — are a couple throughout the three-season run of “Roswell.” On this rewatch, I was surprised to realize they are split up through the entire 21-episode run of Season 2 (2000-01, WB). Yet this season illustrates why I had the mistaken impression, and why “Roswell” is a special show.
It says something about the sheer number of TV shows that are made nowadays that a show set in the “Batman” universe can sneak onto the air. But that’s the case with “Pennyworth” (Sundays on Epix), in which “Gotham” creators Bruno Heller and Danny Cannon give us the backstory of Batman’s butler, Alfred Pennyworth.
The Amazon Prime description for “Lansky” (1999) includes “notorious,” “gambling,” “bootlegging,” “racketeering” and “murder,” but the film – written by David Mamet and directed by John McNaughton for HBO – paints a warm picture of mob boss Meyer Lansky (1902-83). Along with a treasure of a performance by Richard Dreyfuss, “Lansky” is driven by the intrinsic fascination of someone who is a normal family man and skilled businessman, but who is targeted by the U.S. federal government and hated by a percentage of the populace.
July 21, 1969, had the moon landing. Fifty years later, July 21, 2019, had everyone talking about a batch of movies and TV shows that are – with the exception of “Black Widow” – well over a year away. NASA conquered the moon, and now the Marvel Cinematic Universe has conquered the Earth, as the Phase Four announcement at Comic-Con proved. Here are my thoughts on these five movies and five TV shows, along with “Go Bananas” Levels on a 10-point scale: