It’s not as bad as the case of the old “Doctor Who” episodes that were intentionally destroyed after their broadcast, but in this age where it’s easy for a streaming service to make something available to its subscribers, there are still a lot of TV shows you simply can’t see.
After his memorable introduction in “Daredevil” Season 2 (2016) – which could’ve been called “Daredevil and Punisher” – Frank Castle/Punisher (Jon Bernthal) gets the spotlight in his own 13-episode season. The revelation of who killed Frank’s wife and two children at the merry-go-round leads to a conspiracy that goes to the highest levels of the U.S. government and military. One approach for showrunner Steve Lightfoot’s “Punisher” Season 1 (2017) might’ve been 13 mini-“John Wick” movies. That would’ve been viscerally satisfying, but I appreciate the meaty roster of characters. The season is not faced-paced, but nor is it boring.
Netflix’s “Chilling Adventures of Sabrina” is easiest to describe to a newcomer if they are familiar with “Riverdale.” It’s like “Riverdale” but with witchcraft and likeable characters. Those two elements are what make “Sabrina” the more interesting show, but it shares “Riverdale’s” foundation of moody cinematography and an ephemeral sense of time and place. As a horror-tinged show (though not a scary one), those elements work perfectly on “Sabrina.”
Netflix’s “Big Mouth” – which recently released its second season — marks the latest sea change in Things You Can Do on Television, as it chronicles 12- and 13-year-olds entering puberty. But unlike “The Simpsons” in the 1990s and “Family Guy” in the 2000s, there has been little hand-wringing from parents’ TV groups about “Big Mouth,” which opens with episodes where Andrew (John Mulaney) ejaculates in his drawers at a school dance and Jessi (Jessi Klein) has her first period on a field trip while wearing white shorts. Fortunately for its creators, “Big Mouth” also exists in the most prolific age of TV history: There’s so much out there that watchdog groups can’t keep up.
Some people won’t watch horror movies or TV series because they don’t want to be scared. As I was drying my eyes after watching the beautiful ending of Netflix’s “The Haunting of Hill House,” I thought “Those people are missing out.” The horror genre has always been a way to work through real-life fears in the safety of a fictional journey, but showrunner Mike Flanagan’s 10-episode series does it better than almost anything before it.
“Crazy Ex-Girlfriend” (9 p.m. Eastern Fridays, The CW) spends a lot of its Season 4 premiere reminding us where the story is at – and it’s at a very weird place. Rebecca (Rachel Bloom) is in jail, which is where she wants to be as penance for being a horrible person, not necessarily for attempting to murder crazy ex-boyfriend Trent (Paul Welsh) – an act for which she has a strong defense-of-others claim.
In “All American” (9 p.m. Eastern Wednesdays on The CW), Spencer James (Daniel Ezra) gets a chance to move from gang territory to a safe neighborhood to play football, coached by a former NFL player, Billy Baker (Taye Diggs). After taking three buses to Beverly Hills, he hits it off with the coach’s daughter, the star receiver’s girlfriend, and even the coach’s son after some initial tension. Cue the theme music.
In its final 10 episodes, “Valerian and Laureline: Time Jam” wraps up by riffing heavily on the “Star Wars” prequels, but it stands as its own thing thanks to its trademark bevy of wild ideas – many involving time travel, as the series fully embraces its title. And as had been telegraphed in the sitcom-esque bickering flirtation (or flirtatious bickering?) heading into the closing credits of many episodes, the saga’s final statement is about Valerian’s and Laureline’s relationship … although it’s not exactly what I hoped for.
A year ago, I didn’t give a glowing review to ABC’s “Kevin (Probably) Saves the World,” but I did like it enough to keep watching. Even though I almost canceled it from my DVR a few times, I watched the whole season (which turned out to be the whole series). It wasn’t good, per se, but there was a warmth to the interactions between Kevin, Amy, Reese, Tyler, Kristin and Nate in that small Texas town that I now find myself missing.
“A Million Little Things” (10 p.m. Eastern Wednesdays on ABC) is the least bad network newcomer I’ve reviewed so far. If the search for answers to why a guy (Ron Livingston’s real-estate mogul Jon) jumped off a high balcony to his death grabs you – hey, this premise made “13 Reasons Why” a hit – then it might be worth pursuing. This show handles suicide and depression with a defter touch than you might fear, but also focuses on a narrow swath of the population: well-off folks in Boston.