The Outsider” (Sundays, HBO) is written, directed and paced with such slow-burn confidence that a viewer can almost fool themselves into thinking this isn’t just another Stephen King novel adaptation. Now don’t get me wrong, I enjoy a lot of King’s catalog; I count some of his books and their movie versions as masterpieces. But it’s hard to disguise the Kingian cliches on display in this adaptation of his 2018 novel.
Zoey’s Extraordinary Playlist” (NBC) isn’t “Crazy Ex-Girlfriend” … or “Nick & Norah’s Infinite Playlist” … or “Zoey 101.” Watching the pilot episode of the series (which will return Feb. 16, in its regular Sunday slot), I could never forget that it is trying to cash in on the current popularity of musicals and that it uses a title that evokes things people already like. That said, this series — whose producers include “Freaks and Geeks’ ” Paul Feig and “The Perfection’s” Richard Shepard (who directs the first episode) — is far from terrible.
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Season 3 of “The Marvelous Mrs. Maisel” (Amazon Prime) starts off in the too show-offy fashion that marks the worst excesses of writer-director Amy Sherman-Palladino. Comedian Midge (Rachel Brosnahan) opens for singer Shy Baldwin (Leroy McClain) at a tour-launching USO show, and there are colorful costumes, long panning shots, tons of extras, and big music numbers. But after episode one, something remarkable happens in the following seven: “Maisel” no longer feels the need to prove itself, and it even features moments of subtlety – yes, subtlety from Amy and Daniel Palladino (who each take four episodes this season).
Although “Big Mouth” Season 3 (October, Netflix) ultimately delivers enough good episodes that I give it a soft recommend, it is a clear step back from its first two seasons. In the worst episodes, the writers get so caught up in their timely messages about sexual identity, dress codes and objectification of women that they forget to make those episodes funny.
Ihad forgotten – or maybe not even fully realized – how good “Dark Angel” Season 1 (2000-01, Fox) is. When it aired, it was overshadowed by genre rivals like “Buffy the Vampire Slayer” that were doing notably special work. “Dark Angel” treads more familiar ground, creating a mythology out of the old sci-fi concept of genetically engineered people – namely titular heroine Max (Jessica Alba) — who want to live normal lives. But boy does it ever create post-Pulse 2019 Seattle in convincing fashion.
With Season 2 (April), which recently wrapped its free-to-all run on YouTube Premium, “Cobra Kai” has secured its spot as the best continuation of a 1980s premise (a surprisingly robust genre lately). The safe, cheesy and sometimes flat-out bad (but yes, we loved it anyway) filmmaking of the “Karate Kid” trilogy has given way to a confident, funny, epic and ultimately heart-wrenching TV series.