Not all October premieres have to be scary – although a lot of them are (see later in this post) – so let’s start off this look at first episodes of new streaming shows with “Emily in Paris” (Netflix). Well, I shouldn’t say it’s not at all scary. The story of Chicagoan Emily’s relocation to Paris for her job emphasizes her outsider status and loneliness even though she always puts on her delightfully Lily Collins face.
Nowadays, lots of things are remade that elicit groans from fans, but “Swamp Thing” is a property that was ripe for a remake – which DC Universe delivered in a 10-episode series in 2019. For those of us too cheap to subscribe to the streamer, it’s now airing Tuesdays on The CW as pandemic-era filler. The two “Swamp Thing” movies of the 1980s would make all lists of Worst Superhero Movies except that they’re relatively old and obscure. Simply by having modern production values and not being embarrassing, TV’s “Swamp Thing” could improve on that cinematic dreck.
It’s been said that Washington, D.C., is Hollywood for ugly people, but we mostly view politics and celebrity culture as two distinct categories. What’s smart and fun about Amazon Prime’s “The Boys” – which recently released the first three episodes of Season 2, with episodes 4-8 coming out on Fridays – is that it mashes politics and celebrity into one thing via The Seven.
The pandemic has wreaked havoc with fall TV scheduling (it’s hard to tell one socially distanced, masked story, let alone fill a slate with them), and also revealed that (no surprise) cable and streaming were better prepared with content in their pipelines than the networks. But while 2020 serves up the thinnest lineup in modern TV history, it’s not a total wash. Here are my thoughts on 13 notable fall premieres, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the series. All times Eastern:
Here are my 10 favorite characters from the last year of television, from networks to cable to streaming, counting down from 10 to 1:
Stargirl” (Mondays on DC Universe; Tuesdays on CW) – one of 14 current TV series executive-produced by Greg Berlanti – falls into the category of what my buddy Michael calls “product”: something that exists for commercial rather than artistic reasons. That doesn’t mean it can’t be good, but this latest addition to the DC TV universe is as stiff as the Cosmic Staff wielded by its title character, teen Courtney Whitmore (Brec Bassinger, “47 Meters Down: Uncaged”).
Watchmen” popularized the idea of superheroes run amok, but that saga quickly moves beyond the question of “Who watches the Watchmen?” to its answer of “No one.” “The Boys” (July 2019, Amazon Prime) wallows in the question more, to its benefit. Based on a Wildstorm/Dynamite comic-book series that launched in 2006, the eight-episode first season introduces a corporation that sponsors and markets vigilante superheroes, but then it digs into the military-industrial complex. The Vought Corporation aims to have a relationship with the government similar to Lockheed-Martin, but with superheroes – not missiles — as the weapons they are peddling.
With an unusually long gap between new Marvel Cinematic Universe releases, I decided to finally check out “Marvel’s Runaways” Season 1 (2017-18, Hulu). Now through three seasons, it’s part of the young-adult wing of the MCU, and I appreciate that it’s more colorful, sunnier (it’s set in Los Angeles, the opposite side of the continent from most MCU goings-on) and more fathomable than the other YA series, Freeform’s recently canceled “Cloak & Dagger.” It also has an amazing cast, but Season 1 has one big problem at its core.
Creator Damon Lindelof has taken the lessons learned on “Lost” – where time-jumping was a sometimes fun, sometimes hoary narrative device – and beautifully applied them to the nine-episode “Watchmen” (2019, HBO), a sequel to the comic/movie of the same name. Time is central to the “Watchmen” saga, the primary image of which is a clock counting down to the 1980s nuclear doomsday, especially with Dr. Manhattan existing outside of time as we mere mortals perceive it.
These were the 30 biggest trends in movies, television, books, music and pop culture in the 2010s: