Here are my 10 favorite characters from the last year of television, from networks to cable to streaming, counting down from 10 to 1:
Stargirl” (Mondays on DC Universe; Tuesdays on CW) – one of 14 current TV series executive-produced by Greg Berlanti – falls into the category of what my buddy Michael calls “product”: something that exists for commercial rather than artistic reasons. That doesn’t mean it can’t be good, but this latest addition to the DC TV universe is as stiff as the Cosmic Staff wielded by its title character, teen Courtney Whitmore (Brec Bassinger, “47 Meters Down: Uncaged”).
Watchmen” popularized the idea of superheroes run amok, but that saga quickly moves beyond the question of “Who watches the Watchmen?” to its answer of “No one.” “The Boys” (July 2019, Amazon Prime) wallows in the question more, to its benefit. Based on a Wildstorm/Dynamite comic-book series that launched in 2006, the eight-episode first season introduces a corporation that sponsors and markets vigilante superheroes, but then it digs into the military-industrial complex. The Vought Corporation aims to have a relationship with the government similar to Lockheed-Martin, but with superheroes – not missiles — as the weapons they are peddling.
With an unusually long gap between new Marvel Cinematic Universe releases, I decided to finally check out “Marvel’s Runaways” Season 1 (2017-18, Hulu). Now through three seasons, it’s part of the young-adult wing of the MCU, and I appreciate that it’s more colorful, sunnier (it’s set in Los Angeles, the opposite side of the continent from most MCU goings-on) and more fathomable than the other YA series, Freeform’s recently canceled “Cloak & Dagger.” It also has an amazing cast, but Season 1 has one big problem at its core.
Creator Damon Lindelof has taken the lessons learned on “Lost” – where time-jumping was a sometimes fun, sometimes hoary narrative device – and beautifully applied them to the nine-episode “Watchmen” (2019, HBO), a sequel to the comic/movie of the same name. Time is central to the “Watchmen” saga, the primary image of which is a clock counting down to the 1980s nuclear doomsday, especially with Dr. Manhattan existing outside of time as we mere mortals perceive it.
These were the 30 biggest trends in movies, television, books, music and pop culture in the 2010s:
In chronological order, these were our 20 favorite TV shows of the 2010s:
Batwoman” (Sundays, CW) is the 17th current show produced by Greg Berlanti – that’s not a joke for the sake of exaggeration, he really does produce 17 shows that are currently on the air – and it’s as straight down the middle as all the others. Bruce Wayne’s cousin, Kate Kane/Batwoman (Ruby Rose), arrives as a slickly packaged superhero, perfectly filling out her suit – tailored by Luke Fox (son of Lucius, I imagine) – and ready to kick butt alongside The CW’s other DC superheroes (This is series No. 6).
Iwatched the trailers of some notable fall TV premieres so you don’t have to (but they are embedded here if you want to). Here are my thoughts on each, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the series. All times Eastern:
The Netflix NYC neighborhood of the Marvel Cinematic Universe ended too soon with “Jessica Jones” Season 3 (June), but I have to admit these series were starting to tread familiar ground. When watching these 13 episodes, I sensed that I was still watching prestige TV, yet I also understood where things were going long before they reached the finish line, thus enhancing the stereotype that Netflix MCU shows are slow-moving.