Available via streaming and Redbox, “Chuck” was quietly in and out of theaters in 2017. The biopic’s titular character, Chuck Wepner (Liev Schreiber), is also under the radar: He was a local legend in Bayonne, N.J., and had a brush with national sporting fame in 1974 when he made it into the 15th round against Muhammad Ali before losing via TKO. This inspired Sylvester Stallone when writing “Rocky,” and for a time it was well-known that Wepner inspired the film’s boxing arc and Rocky’s job as a debt collector, but the public’s knowledge faded with time.
Continue reading “‘Chuck’ a lightweight portrayal of the boxer who inspired ‘Rocky’ (Movie review)”
“Creed” — the seventh entry in the “Rocky” series — respects its elders while also doing its own thing. As the saga’s first film not written by Sylvester Stallone, and the first not directed by Stallone or John G. Avildsen, “Creed” has a different sense of style. That having been said, Stallone’s Rocky is the heart of the movie, and another old-timer – the late Apollo Creed (who was killed in the ring by Ivan Drago) – is the soul.
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Rightly ranked by IMDB voters as the best of the “Rocky” sequels (with a 7.2 rating), “Rocky Balboa” (2006) is a beautiful grace note to the fighting portion of the Italian Stallion’s career. (His training career appears to continue in “Creed.”) While the film makes few bones about the fact that a 50-something former champion can’t beat a current champion in his prime, it does show that people get better at other things with age.
Continue reading “Countdown to ‘Creed’: ‘Rocky Balboa’ (2006) (Movie review)”
The “Rocky” films never drifted into the arena of spectacle as much as their reputation suggests. Even the most over-the-top entry, “Rocky IV,” includes acknowledgements of the heightened plot, like when the commentators note the bizarreness of the Creed-Drago match. Still, the larger-than-life villainy of Clubber Lang and Ivan Drago changed the perception of the series, and “Rocky V”(1990) seems to be a calculated reaction to that, as writer Sylvester Stallone aggressively brings the series back to its roots.
Continue reading “Countdown to ‘Creed’: ‘Rocky V’ (1990) (Movie review)”
With its montages and Eighties arena-rock songs, not to mention the “U.S. versus U.S.S.R.” foundation that begs for the hoariest of subtexts to be added, “Rocky IV” (1985) is unquestionably the most stylized film in the series up to this point. At first blush, it’s a brainless throwaway movie with a must-buy soundtrack highlighted by Robert Tepper’s “No Easy Way Out.” But it is unfairly categorized as the big, dumb and fun entry in the series.
Continue reading “Countdown to ‘Creed’: ‘Rocky IV’ (1985) (Movie review)”
Are the “Rocky” films more spectacle or substance? At first blush, the opening act of “Rocky III”(1982) suggests spectacle. Rocky fights professional wrestler Hulk Hogan – OK, technically “Thunderlips” – in a charity bout. It’s unclear to both Rocky and the viewer whether Thunderlips is putting on a show or actually trying to beat the crap out of Rocky.
Continue reading “Countdown to ‘Creed’: ‘Rocky III’ (1982) (Movie review)”
Life doesn’t become easy after your first success: Blowing up one Death Star doesn’t mean you’ve defeated the Empire. Dumping Shredder into a garbage truck doesn’t mean he won’t come back as a supermutant. And so forth.
Continue reading “Countdown to ‘Creed’: ‘Rocky II’ (1979) (Movie review)”
The buzz is heating up for the seventh movie in a legendary film franchise that dates back to the 1970s. I’m referring, of course, to the “Rocky” series, which will continue with “Creed” on Nov. 25. (You want “Star Wars Episode VII” coverage? This isn’t the blog you’re looking for.) Let’s start the countdown with the original “Rocky” (1976).
Continue reading “Countdown to ‘Creed’: ‘Rocky’ (1976) (Movie review)”