Geek culture is indisputably mainstream today (as evidenced by the 57 superhero shows on TV), but that wasn’t always the case. So when did the transition happen? It was a gradual process, but I like to point to the game show “Beat the Geeks” (2001-02, Comedy Central) as a fulcrum. Like many great geeky things, it didn’t last long, but it did signal that it was safe for geeks to come out of the woodwork, and safe for non-geeks to show their geek side.
Pitch Perfect 3″ is far and away the weakest film in the franchise. It feels incomplete yet somehow oddly overstuffed, with some story elements that feel extremely out of place.
Iwas in the tank for “The Greatest Showman” from the first trailer, so take my brief remarks here with a grain of salt.
“Roadies” (10 p.m. Eastern Sundays on Showtime), the new series from Cameron Crowe, feels a little more like “Studio 60 on the Sunset Strip” or “Love Monkey” than it feels like “Almost Famous.” The pilot episode has more bark than bite; however, it’s better than, say, Crowe’s second-rate “Garden State” “Elizabethtown,” and the fact that it’s about the same subject as “Almost Famous” might allow him to recapture a bit of that old magic in upcoming episodes.
Two new shows I kept on my viewing schedule have already been canceled – “Wicked City” and, for all intents and purposes, “Minority Report,” which had its episode order cut to 10. But the TV networks have kept the best fall show: “Crazy Ex-Girlfriend.” I’m setting myself up for more disappointment, perhaps, as I’m now not only hoping for a DVD and soundtrack, but also for a second season.
With Nerdist’s “All About That Base” seemingly locking up the title of best “Star Wars” song parody of the year, I thought it’d be a good time to look at the best entries in this subgenre that has exploded in the last decade thanks to YouTube.
Some people called Bruce Springsteen a sellout for delivering 12 radio-friendly hits (seven became top 10 singles) on “Born in the U.S.A.,” which hit record stores on June 4, 1984. Others, including his producer/manager Jon Landau, said it didn’t have enough singles (“Dancing in the Dark” was written in order to fill this perceived gap).
Making a list of my favorite albums of a year is fairly simple: I think of which discs I spun most often in my Jeep in 2012, then subtract the ones that weren’t released in 2012 (even though I may have discovered them during that calendar year). For me, three albums got the most airtime in my vehicle last year. They are:
Two years ago, I labeled Fall 2010 as the worst batch of new shows ever. The highlights were “Law & Order: Los Angeles,” which was hardly a new concept; “No Ordinary Family,” which was throwaway fun; and “The Walking Dead,” which wasn’t the show then that it is now.
“Nashville” (8 p.m. Central Wednesdays, ABC, starts Oct. 10) starts off with a good-but-not-great first episode (it’s now available on Hulu); among “going inside the industry” shows it’s considerably better than “Smash,” but not as free-wheeling and fun as “The L.A. Complex” or — to go back a few years — “Love Monkey.”