‘Omen’ (2006) may not be necessary, but it’s great
Six weeks of ‘The Omen’ (Movie review): Director John Moore pulls off a neat trick of respecting the original narrative while adding his own style.
Six weeks of ‘The Omen’ (Movie review): Director John Moore pulls off a neat trick of respecting the original narrative while adding his own style.
Movie review: The “H40” sequel trilogy takes a surprising turn, but the pulpy vibe and delicious Carpenter score make for a holiday celebration.
Frightening Friday (Movie review): Eli Roth’s name gets on the fear-flick map with this gore-centered body horror. Also: thoughts on the remake.
Six weeks of ‘The Omen’ (Movie review): Damien is dead, but oddly, the franchise isn’t. It continues with this repetitive and unnecessary TV movie.
Movie review: In this year of telephone-based psychological thrillers from Stephen King’s family, this Netflix film beats “The Black Phone.”
Movie review: The story is simple yet watchable, with a decent twist. But this remake doesn’t achieve the tragic poignancy it aims for.
Six weeks of ‘The Omen’ (Movie review): Inexplicably 32 years old a decade after being born, the son of Satan makes his big play for world domination.
Movie review: Large gatherings can be awkward, and this one is a case in point. Unfortunately, this film doesn’t get creepy enough to be a horror classic.
Frightening Friday (Movie review): “Urban Legend” isn’t great, but it’s such an encapsulation of how slashers were made that it’s at least interesting.
Movie review: This pitch-black horror-comedy has no interest in giving us someone to root for. But it does make biting points about modern culture.