‘The Perfection’ isn’t what you think it is, but it’s still a clever little horror gem (Movie review)

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he Perfection” (Netflix) has one of those trailers that seems to give away the whole movie, so after making the mistake of watching the trailer, I let it fade from my mind a bit before watching the film. As it turns out, this horror thriller from director/co-writer Richard Shepard – who has a lot of credits but not many “wow” credits before this – is only partly like the trailer suggests. “The Perfection” so smoothly toys with and contradicts our narrative expectations that I wonder why more movies don’t use this tactic.

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‘Happy Death Day 2U’ wrings more fun out of ‘repeated day’ premise with clever genre-hop (Movie review)

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t’s accurate to call “Happy Death Day 2U” a dumb movie, and accurate to call it a smart movie. It seems as if Blumhouse studio asked writer-director Christopher Landon (who also directed the 2017 original, from Scott Lobdell’s screenplay) to go hog-wild building on the premise from the first entry, and Landon does just that. This sequel isn’t nearly as much of a straight rehash as the horrible trailers suggest.

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‘Us’ – Jordan Peele’s followup to ‘Get Out’ – is chilling, weird and fresh (Movie review)

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riter-director Jordan Peele’s latest horror offering, “Us” – which hits digital June 4 and disc June 18 — opens on a seemingly endless wall of caged rabbits, a promise of future symbolism. The slow and agonizing zooming out and the screeching music, driven by a chorus from hell, invokes an anxiety I haven’t felt in a long time. I felt this fear in snippets throughout the movie, although the pinnacle of the horror is the beginning. Despite this — and the surprising mixing of genre signals — I thoroughly enjoyed Peele’s followup to the 2017 classic “Get Out.”

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Throwback Thursday: ‘Mother!’ (2017) is bizarre and disturbing, but not in a good way (Movie review)

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 had put off watching writer-director Darren Aronofsky’s “Mother!” (2017) for a long time. Most of the feedback I had heard was that it’s random and pretty pointless. For some reason, curiosity got the best of me and when I saw it on Amazon Prime streaming, I gave it a shot.

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Summer movies 2019: After watching the trailers, I’m bananas for some of these films, not so much for others (Commentary)

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 watched the trailers of some notable summer movies so you don’t have to (but they are embedded here if you want to). Here are my thoughts on each, along with a “Go Bananas” Level (on a 10-point scale) of how excited I am for the picture:

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‘He’s Out There’ is a decently scary lake-cabin stalker thriller, but not a unique one (Movie review)

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imilar to the two “Strangers” films, “He’s Out There” (2018, now on Netflix) strips the horror genre down to basics and tells a scary story of people in random peril at a remote cabin. It plays the requisite horror notes well, includes one moment that literally made me flinch, and offers a touch of mystery to keep a viewer wondering about the villain’s motivations. And while I wasn’t bored by the film, I knew I had Yvonne Strahovski to look at if the plot ceased to hold my interest.

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Throwback Thursday: Appleby, Embry star in heavy-metal horror thriller ‘The Devil’s Candy’ (2015) (Movie review)

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on’t put on “The Devil’s Candy” (2015, Netflix) if you want something light. But if you’re in the mood for a stylish, heavy-metalized thriller, this is your film. I checked it out because it’s a Shiri Appleby movie I hadn’t seen, and it also features her fellow 1990s teen star Ethan Embry. They play Astrid and Jesse Hellman, who — along with daughter Zooey (Kiara Glasco) – comprise a family that moves into a big but affordable country home outside of town.

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The apocalypse comes again in ‘Bird Box,’ and the lesson this time is ‘Don’t look!’ (Movie review)

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ird Box” (Netflix) is the latest in the trend of apocalyptic thrillers where the end times arrive in a bizarre and sketchily explained fashion, following “It Comes at Night,” “A Quiet Place” and the “Cloverfield” trilogy. It’s easy to call this the visual answer to the audio-based “A Quiet Place.” There, creatures hunt by their sense of hearing; here, the malevolent force invades people’s brains through their visual cortex. It’s the childlike notion of hiding under the covers made into a motion picture: If you can’t see the monster, you’re fine.

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John’s top 10 movies of 2018

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he dominant genre of 2018 continued to be superheroes; even with the “X-Men” Universe and DC Extended Universe releasing only one film each, the three Marvel Cinematic Universe movies were impossible to overlook. Still, this was a less blockbustery year than 2017, and by year’s end I had seen at least one really good film in every genre. From a throwback thriller to an arthouse gem, here are my 10 favorite films of 2018.

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