With “Gotham” returning for its final season this month, I’m looking back at past “Batman” projects from the perspective of someone who enjoyed “The Animated Series” as a kid and now enjoys “Gotham.” Next up is “The Dark Knight” (2008).
“Glass,” the trilogy topper we didn’t know we needed, is a unique animal. It’s hard for me to put a finger on how I feel about it, as it is a very unconventional superhero film, choosing to focus on narrative rather than CGI battles. Today’s cinema is dominated by Marvel and DC blockbusters (most recently the CGI fest “Aquaman”), but writer-director M. Night Shyamalan grounds us in reality by keeping everything just believable enough.
“Cursed” (November 2003) is a rare novel with “Buffy” in the title that doesn’t have Buffy in it (aside from a phone conversation on the last page). This “Buffy”/“Angel” crossover by Mel Odom is truly a “Spike”/“Angel” crossover, and a good one (despite a big continuity problem I’ll get to later). I never tire of tales of Angelus, Darla, Spike and Dru cutting swaths of terror across Europe, and “Cursed” is a prime entry in that subgenre, while also bringing Angel and Spike together in present day.
The latest event series that will likely end up going nowhere – either by treading familiar ground or by being canceled – “The Passage” (9 p.m. Eastern Mondays on Fox) is at least driven by a nice relationship at its core. Mark-Paul Gosselaar plays special operative Brad Wolgast and Saniyya Sydney plays recently orphaned 10-year-old Amy. Initially, Wolgast is part of the duo that kidnaps the kid for a secret government project, then he thinks better of it and goes on the run with her.
“Roswell, New Mexico” (9 p.m. Eastern Tuesdays on The CW) is the latest in this decade’s mostly unfortunate trend of rebooting things we love that were already perfect. While I resist with almost every fiber of my being the idea of anyone other than Jason Behr and Shiri Appleby being called Max and Liz, I approached the pilot episode with an open mind and I admit it held my attention. What’s hard to parse out is: How much of my enjoyment comes from noting similarities and differences to “Roswell” Classic (1999-2002, WB/UPN) and how much comes from “RNM” being good in its own right?
In our Throwback Thursday series, we’re looking back at movies, TV shows, books or comics that are more than a year old and don’t fit with our regular “flashback” features. Maybe we missed it when it was new, or we want to revisit an old favorite. Basically, we’re reviewing old stuff because we feel like it.
Spike and Illyria go off on their own adventures toward the end of the period of IDW’s “Angel” ongoing series. Two four-issue miniseries — “Spike: The Devil You Know” and “Illyria: Haunted” – let us know what they’re up to, with varying degrees of entertainment value.
With “Gotham” returning for its final season this month, I’m looking back at past “Batman” projects from the perspective of someone who enjoyed “The Animated Series” as a kid and now enjoys “Gotham.” Next up is “Batman Begins” (2005).
As he did with his only other “Buffy” novel, “Coyote Moon” (1998), John Vornholt gives a different – and not precisely right, but still intriguing – feel to the Buffyverse with the “Buffy”/“Angel” crossover “Seven Crows” (July 2003). The continuity glitch is less forgivable this time. Vornholt wrote “Coyote Moon,” set in the summer after Season 1, before he knew Buffy goes to LA for the summer. “Seven Crows” is set in the late summer before Season 7, but Buffy inexplicably already holds her guidance counselor job in summer school.
Burning slowly like a 1970s urban street thriller, “Luke Cage” feels more comfortable in its suits and shades and bullet-riddled sweatshirts than it did in its first season. Bushmaster (Mustafa Shakir) and his Jamaican cohorts – all of the actors doing a wonderful job with the dialect – are entertaining antagonists, but we slowly realize the uber-villain of Season 2 (2018, Netflix) is slick Harlem councilwoman Mariah Stokes Dillard (Alfre Woodard). Cheo Hodari Coker’s series – after many examples illustrating what powerful people can get away with – morphs into a smart meditation on the cost of holding on to power, and how a few bad decisions can see that power spiral away.